by Jean Craighead George & illustrated by Thomas Locker ‧ RELEASE DATE: Aug. 31, 1993
In a lucid, graceful narrative that begins with the arrival of Plymouth Rock (a unique European specimen left by a glacier "In a time so long ago that only the rocks remember") and that describes the Patuxets' settlement, its devastation by white men's disease, and Squanto's tragic captivity before going on to the Puritan venture, George returns—in specific, unsentimental detail—to the real historical events, quietly emphasizing the Native Americans' relationship with the land and the many things they taught the newcomers about using its bounty. Locker provides paintings in his usual lush, formal style; his elegant seascapes, landscapes, and sky have more drama than the small figures and limited action they dwarf, though a few scenes—e.g., the pilgrims' landing in a "raging current"—are more like true illustrations. Actually, these gorgeous set pieces are a fine complement to George's text, making an effective backdrop for her powerful account. Correcting misconceptions and clarifying contemporary attitudes ("The Pilgrims called the celebration a Harvest Feast. The Indians thought of it as a Green Corn Dance"), this beautiful book brings fresh insight and a fairer balance to the traditional story. (Nonfiction/Picture book. 5+)
Pub Date: Aug. 31, 1993
ISBN: 0-399-21991-9
Page Count: 32
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1993
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by Jean Craighead George with Luke George & Twig George ; illustrated by Wendell Minor
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by Jean Craighead George ; illustrated by Wendell Minor
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by Pete Seeger & Paul Dubois Jacobs & illustrated by Michael Hays ‧ RELEASE DATE: Oct. 1, 2001
The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)
Pub Date: Oct. 1, 2001
ISBN: 0-689-83271-0
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
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by Pete Seeger & Paul Dubois Jacobs & illustrated by R. Gregory Christie
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by Pete Seeger & Paul Dubois Jacobs & illustrated by Michael Hays
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adapted by Pete Seeger & illustrated by Wendy Anderson Halperin
by Neil Gaiman ‧ RELEASE DATE: July 1, 2002
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister:...
A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.
Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)Pub Date: July 1, 2002
ISBN: 0-380-97778-8
Page Count: 176
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
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by Neil Gaiman ; illustrated by Chris Riddell
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by Neil Gaiman ; illustrated by Divya Srinivasan
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