An endearing twist on the super-chef cookbook, geared toward creative home cooks who want to explore new tastes.

HOME COOKING WITH JEAN-GEORGES

MY FAVORITE SIMPLE RECIPES

Rediscover the joy in home cooking along with star chef Vongerichten (Asian Flavors of Jean-Georges, 2007, etc.).

To celebrate his 50th, chef and restaurateur Vongerichten gave himself weekends off to spend at his country house. During that time, he rediscovered the pleasures of cooking at home—something he hadn’t done in years. Far from the high-concept French-Asian fusion for which he is known, this collection focuses on meals that can be easily prepared in any home kitchen. It’s not about impressing guests or finding quick shortcuts to get dinner on the table; it’s a celebration of cooking family meals. Vongerichten writes of the importance of quality ingredients, shares information about his vendors and advocates shopping at local markets for seasonal produce. He includes photographs of his family and anecdotes about their favorite recipes, including his wife’s deliciously rich Mac ‘n’ Cheese. Readers can share Vongerichten’s pleasure in creating new flavor combinations for everyday meals. His Fiery Grilled Shrimp with Honeydew Gazpacho is simple yet intriguing, mixing chilies with mint and sweet melon for a cooling summer lunch. Snacks like Rosemary Popcorn and cocktails like Ginger Margaritas round out this cookbook, giving readers a picture of daily life in the country, Vongerichten-style. 

An endearing twist on the super-chef cookbook, geared toward creative home cooks who want to explore new tastes.

Pub Date: Nov. 1, 2011

ISBN: 978-0307717955

Page Count: 256

Publisher: Clarkson Potter

Review Posted Online: Jan. 13, 2012

Kirkus Reviews Issue: Oct. 15, 2011

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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