A promising first adventure; if Heller can keep the quality this high, mystery fans will have a lot to look forward to.

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THE SOMEDAY FILE

A carefully plotted mystery, the first in a series featuring indefatigable Chicago columnist Deuce Mora.

The title refers to the case files Mora dips into when she doesn’t have an idea for a column, tips she’s gotten for semi-interesting stories to follow up on later. The lead she follows this time quickly turns deadly after an old man named Vinnie Colangelo agrees to meet at a bar but is tortured and murdered after she drops him off at his house. He seemed nervous and made reference to news in Las Vegas. The next day, Mora learns a senator has been assassinated in Las Vegas. Partially out of professional curiosity and partly out of a sense of responsibility to find who killed Vinnie, she starts on a trail that brings her into the cross hairs of organized crime and compels her to investigate an old friend. She ends up diving into local government corruption and a 57-year-old massacre at a migrant camp. Mora gets beat up, shot at, and intimidated along the way, but she’s tough, noirish, and Chicago through and through. She’s human though: she doubts herself, and not every lead means progress. Heller (Handyman, 1998), a former reporter who broke the Tuskegee syphilis story, skips no detail as she follows Mora’s thought processes and every conversation she has with a witness. Colorful characters surround her: Eric Ryland, her editor; Sully, her old flame; and a bevy of sources who range from helpful to hostile. Heller pulls off a neat stunt, tying together all the different crimes—Vinnie getting framed on a federal charge in the 1970s, the burning of the migrant camp in the ’50s, and the murder of the senator in the present—in a compelling package that actually adds up. Heller does tend to have Mora notice everything and linger on a historical detail or two about Chicago, which amount to short detours from the action. Yet it always ties back to Mora and the intriguing main plot. Heller should be able to get a lot of mileage out of such a great character and supporting cast.

A promising first adventure; if Heller can keep the quality this high, mystery fans will have a lot to look forward to.

Pub Date: Dec. 8, 2014

ISBN: 978-1505880335

Page Count: 362

Publisher: CreateSpace

Review Posted Online: June 15, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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