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ENDANGERED

A frightening and realistic story about the realities of racism, poverty and injustice in the Obama era.

An African-American teen accused of murder experiences the terror of the court system while his mother and his lawyers pursue an unusual argument for justice.

It’s only 22 days into the New Year as this desperate novel begins, and there have already been 29 murders in Philadelphia. Cush (Tattered Bonds, 2006) draws on her experience in the Philadelphia District Attorney’s Office to paint a frightening picture of the awful day-to-day realities faced by impoverished children accused of crimes. The child at issue here is 15-year-old Malik Williams, who finds himself violently slammed to the ground by a white police officer and charged with the murder of another black kid; he's to be tried as an adult for a crime he did not commit. His mother, Janae, is a cafeteria worker and a woman of faith who lacks the resources to help her only child. She’s suspicious when approached by Roger Whitford, a human rights attorney who wants to spark a national debate over Malik’s defense. “I believe we can make a solid argument that African-American boys ought to be deemed legally endangered,” he tells a startled Janae. “Their very lives are threatened with extinction, or at least any meaningful existence, and thereby ought to be afforded certain protections based on their classification as such.” It’s a bold and risky defense, but Janae is running out of options. Buoyed by the genius of Calvin Moore, an ambitious defense attorney on loan from a high-end firm, Malik’s defenders navigate the hostile and dangerous ground between the justice system, the media and the American public. There’s not much mystery—Malik’s defense eventually becomes a case of figuring out who really committed the crime—but Cush makes a passionate argument for the defense of young men whose only crimes were being born black in America.

A frightening and realistic story about the realities of racism, poverty and injustice in the Obama era.

Pub Date: July 1, 2014

ISBN: 978-0-06-231623-3

Page Count: 256

Publisher: Amistad/HarperCollins

Review Posted Online: May 20, 2014

Kirkus Reviews Issue: June 1, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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