OF ILLUSTRIOUS MEN

Rouaud's second novel, filled with nostalgia and turgid prose, fails to live up to the promise of his Prix Goncourtwinning debut (Fields of Glory, 1992). In this slim volume, which reads less like a novel and more like a memoir, the narrator tries to nail down his elusive, demigod father who died suddenly at the age of 41. From the perspective of an adult, the narrator sifts through his childhood memories of the few moments he spent with this traveling salesman in their hometown of Random in the Loire Valley, as well as the history of his father's work with the Resistance during WW II. These moments made a great impression on the boy, who obviously longed for a stronger paternal presence, and the narrator lengthily describes each remembrance so as not to miss a hint of meaning in the little he knows of his father: the collection of postcards his father sent from every town he stayed in and what he wrote on the back; the educational wall charts his father sold, one with a cutaway diagram of the body that lacked genitalia and another with a modestly posed Lady Godiva; how his father organized the cleanup of every dish, glass, shelf, and wall in the family's porcelain shop after a forgotten oil lamp covered the room with a layer of soot. Sometimes the narrator does find answers to the question ``Who was my father?'' in these details: He was a take-charge kind of guy who could rally people to scrub spotless a store that seemed hopelessly dirty; or he was a funny guy who wrote ``How many cows can you count on this postcard?'' when there wasn't even one. But too often, the details read like the shopping list of an adult obsessed with an enigma. Tender and sweet if you can slosh through the excess.

Pub Date: Nov. 1, 1994

ISBN: 1-55970-265-6

Page Count: 160

Publisher: Arcade

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1994

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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