by Jean Thesman ‧ RELEASE DATE: Oct. 1, 2003
In a multi-stranded sequel to A Sea So Far (2001), Kate Keely returns to San Francisco two years after the Great Earthquake, determined to build a new and independent life in a male-dominated society. Kate and best friend Ellen Flaherty work toward their long-cherished goal of opening a small linens shop and turning it into a successful business. Focusing less on events than on characters’ responses to them, however, Thesman continues to develop the complex relationship between her two protagonists, contrasting Kate, whose eyes are always on the prize, with Ellen’s less certain outlook and misguided efforts to gain entrée into polite society. The author doesn’t handle all of her plot’s threads with equal expertise, but by the end, a death gives Ellen the direction she had previously lacked, while Kate has her shop, a growing clientele, and a bookish landlord who’s plainly smitten with her. Susceptible readers will come to admire both of these young women, and be swept along on their emotional currents. (Fiction. 11-13)
Pub Date: Oct. 1, 2003
ISBN: 0-670-03656-0
Page Count: 224
Publisher: Viking
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 2003
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: July 21, 2015
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
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by Soman Chainani ; illustrated by Iacopo Bruno
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by Soman Chainani ; illustrated by RaidesArt
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by Soman Chainani ; illustrated by Julia Iredale
by Kate DiCamillo ‧ RELEASE DATE: March 1, 2001
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
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by Kate DiCamillo ; illustrated by Julie Morstad
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