A sweet but slow-moving tale of a love affair in Paris.
A financially strapped university student in Paris starts an affair with a sophisticated married woman over the course of one tumultuous year.
Marc Fontbleu is a 23-year-old French student who makes ends meet by mowing lawns. When he glimpses Emma Delors, the wife of a faculty member, walking past him early one morning, his world is rocked. He can’t help but approach beautiful Emma, who reveals that, as usual, her husband is out of town. Emma readily relays that her husband often neglects their marriage in favor of his archaeology studies. Marc and Emma begin a deep and intense affair, spending long hours getting to know each other in and out of bed. They gallivant through parks, restaurants, and the attractions of Paris, falling deeply in love. Marc confesses that he has published poetry under the pseudonym Léopold Montblé and hopes to become famous. Emma worries that she is too old for Marc and should set him free. As they luxuriate in their mutual feelings, they are simultaneously troubled by their own worries about protecting the happiness of the other. Told in the third person, the narrative is broken into four sections based on the temporal seasons and interspersed with short poems and uncredited artwork. There is a heavy emphasis on monologues and dialogue, both internal and external, throughout Cullen’s sentimental story. For the first two-thirds of the book, the main action consists primarily of lengthy conversations between the two central characters. The plot does move more quickly as the novel approaches its conclusion, and if readers can hang on, the tale becomes increasingly engrossing. While there are some stylistic oddities (such as a plethora of parentheses) and errors (like the scene in Chapter 6 in which Emma takes her shoes off after having already removed them), the story features lovely descriptions of French foods, locations, and landmarks. There are also several beautifully rendered moments of human connection and self-sacrifice.
A sweet but slow-moving tale of a love affair in Paris.Pub Date: N/A
ISBN: 978-0-7433-2154-9
Page Count: 244
Publisher: Clocktower Books
Review Posted Online: May 8, 2020
Review Program: Kirkus Indie
Haphazard and undemanding.
A sports agent’s first official client is the man she dumped years ago in college.
After two years of hard work as an underling, Nora Mackenzie is finally being promoted to full-time sports agent. She’s worked hard, kept quiet, and allowed men in the office to call her Mac—a nickname she hates—all to show she’s a team player and “one of the guys.” Unfortunately, her boss instructs her to sign Derek Pender, a football player coming off an injury, who happens to be the man she heartlessly dumped in their senior year of college. Derek signs with her for revenge, seeing it as his opportunity to pay Nora back for callously breaking his heart eight years earlier. He insists she be at his beck and call: answering his emails, running his errands, cooking dinner for his dates. He also refuses to let her explain why she broke up with him without warning or explanation. Nora feels she has no choice but to acquiesce to Derek’s humiliating demands, since she’s worked too hard to let him ruin her dream job. She hopes he’ll thaw and they might become friends, but Derek’s bad behavior is designed to hide the fact that he’s still in love with her. Nora’s characterization is uneven, veering between anger at how she’s treated in the male-dominated field to immature bickering and bantering with Derek. Although Adams likely meant for Derek and Nora’s interactions to have an enemies-to-lovers vibe, the characters instead seem juvenile and stuck in the past. The novel is fueled by a string of tropes—second chance romance! married in Vegas! only one bed!—each randomly deployed to keep the book going despite thin characterization and wan plotting.
Haphazard and undemanding.Pub Date: April 2, 2024
ISBN: 9780593723678
Page Count: 368
Publisher: Dell
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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