by Jean Van Leeuwen & illustrated by Marco Ventura ‧ RELEASE DATE: March 1, 2003
Based on a true story, Van Leeuwen’s (Lucy Was There . . . , 2002, etc.) latest effort imagines the experience of 13-year-old Edward Warren, the sole passenger aboard America’s first manned hot-air balloon, launched in 1784, a year after the Montgolfier brothers flew their balloon in France. A newspaper account of the journey is printed on the endpapers. It provides the basic facts; Van Leeuwen fills in the rest. In her account the orphaned boy is a blacksmith’s apprentice. For months, tavern owner Peter Carnes tests his balloons not far from Edward’s shop. When Edward reads of Mr. Carnes’s intention to exhibit the balloon in Baltimore he longs to attend. He’s asked to join the crew just one day before the exhibition. Van Leeuwen, of course, takes creative liberty, but her account is solidly based on fact and embellished with details that reflect 18th-century reality. Similarly, Ventura’s illustrations, rendered in oil and neatly framed throughout, accurately portray the early American landscape. His depiction of period clothing and tall ships in the Baltimore bay is especially engaging. So is Van Leeuwen’s hopeful message: “If Mr. Carnes [can] build an air balloon, if I [can] ride in one,” Edward muses as he rises into the sky, “anything [is] possible.” In an author’s note, Van Leeuwen provides a historical perspective. “Nothing is known about Edward Warren except his name and age,” she begins. “After his brief moment in the historical spotlight, he disappeared from sight.” Van Leeuwen brings him brilliantly back to life. (Historical fiction. 7-10)
Pub Date: March 1, 2003
ISBN: 0-8037-2258-3
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2003
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by Maya Gabeira ; illustrated by Ramona Kaulitzki ‧ RELEASE DATE: Aug. 2, 2022
A rallying cry for anyone looking for a strong example of perseverance.
Brazilian surfer Gabeira offers a fictionalized version of her childhood with this story of an adventurous young girl who overcomes sexism and self-doubt to become a great athlete.
The inhabitants of the fishing village of Nazaré, Portugal, are in awe of a massive wave known as the Beast. A young villager named Maya has asthma and brings medicine with her wherever she goes; though shy, Maya finds fulfillment when moving her body during dancing, gymnastics, and swimming. Having grown up hearing about the Beast, she goes to see it for herself and is in awe of the massive wave, though she also notices boys surfing on it. Maya decides to try surfing, which her father encourages. The boys at the beach tell her surfing is no sport for girls, and she nearly believes them until a voice in a seashell tells her not to give up. Both text and illustrations offer a stirring account of Maya’s journey to surfing mastery. The Beast begins as a spectacle from afar, filling the page with its sheer scope. Maya is often framed within or beneath its crest, including a wonderful scene of her would-be hecklers watching dumbfounded as she joyously surfs ahead of them. Maya and her family are brown-skinned; for the most part, other residents of Nazaré range in skin color from tan to brown. In an author’s note, Gabeira describes growing up in Rio de Janeiro, Brazil, and, in 2007, setting a Guinness record for the largest wave ever surfed at Praia de Norte in Nazaré. (This book was reviewed digitally.)
A rallying cry for anyone looking for a strong example of perseverance. (Picture book. 7-10)Pub Date: Aug. 2, 2022
ISBN: 978-1-4197-6000-6
Page Count: 40
Publisher: Abrams
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
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by Patricia Polacco ; illustrated by Patricia Polacco ‧ RELEASE DATE: Oct. 6, 2020
Deliberately inspirational and tinged with nostalgia, this will please fans but may strike others as overly idealistic.
Veteran picture-book creator Polacco tells another story from her childhood that celebrates the importance of staying true to one’s own interests and values.
After years of spending summers with her father and grandmother, narrator Trisha is excited to be spending the school year in Michigan with them. Unexpectedly abandoned by her summertime friends, Trisha quickly connects with fellow outsiders Thom and Ravanne, who may be familiar to readers from Polacco’s The Junkyard Wonders (2010). Throughout the school year, the three enjoy activities together and do their best to avoid school bully Billy. While a physical confrontation between Thom (aka “Sissy Boy”) and Billy does come, so does an opportunity for Thom to defy convention and share his talent with the community. Loosely sketched watercolor illustrations place the story in the middle of the last century, with somewhat old-fashioned clothing and an apparently all-White community. Trisha and her classmates appear to be what today would be called middle schoolers; a reference to something Trisha and her mom did when she was “only eight” suggests that several years have passed since that time. As usual, the lengthy first-person narrative is cozily conversational but includes some challenging vocabulary (textiles, lackeys, foretold). The author’s note provides a brief update about her friends’ careers and encourages readers to embrace their own differences. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at actual size.)
Deliberately inspirational and tinged with nostalgia, this will please fans but may strike others as overly idealistic. (Picture book. 7-10)Pub Date: Oct. 6, 2020
ISBN: 978-1-5344-2622-1
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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