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MY BABY

There's a beautiful pattern and rhythm in the sound and sense of this story, whose images echo the music of its language. In Mali, women make the bògòlan, a mud-dyed cloth, and a young girl named Nakunte Diarra learns the art from her mother. As she grows up, the whole village comes to her for cloth, and when she marries, she wears the bògòlan her mother made for her. Nakunte then begins to make a bògòlan for her own child, and she is inspired by the patterns in what is around her. "Listen, my baby, do you hear the drums that call?" she says, painting an abstract pattern of drum forms in cloth stripes. The leopard's spots, the scorpion's tail, the calabash flower, the turtledove's footprints, each creates a pattern that Nakunte paints into her cloth, speaking to her baby about the creatures she sees. The bògòlan is done when the rains come—the time for the baby—and the child is wrapped in the gorgeous black-and-white cloth. Winter uses colors as luscious as tropical fruit setting off the contrast of the shimmering bògòlan. The flattened picture space dances with shape and form: dots, leaves, triangles, stripes. Winter, as she did in My Name Is Georgia, uses a real artist's work as the basis for a visual feast. (Picture book. 3-6)

Pub Date: March 9, 2001

ISBN: 0-374-35103-1

Page Count: 32

Publisher: Frances Foster/Farrar, Straus & Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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ONE FAMILY

A visually striking, engaging picture book that sends the message that everyone counts.

A playful counting book also acts as a celebration of family and human diversity.

Shannon’s text is delivered in spare, rhythmic, lilting verse that begins with one and counts up to 10 as it presents different groupings of things and people in individual families, always emphasizing the unitary nature of each combination. “One is six. One line of laundry. One butterfly’s legs. One family.” Gomez’s richly colored pictures clarify and expand on all that the text lists: For “six,” a picture showing six members of a multigenerational family of color includes a line of laundry with six items hanging from it outside of their windows, as well as the painting of a six-legged butterfly that a child in the family is creating. While text never directs the art to depict diverse individuals and family constellations, Gomez does just this in her illustrations. Interracial families are included, as are depictions of men with their arms around each other, and a Sikh man wearing a turban. This inclusive spirit supports the text’s culminating assertion that “One is one and everyone. One earth. One world. One family.”

A visually striking, engaging picture book that sends the message that everyone counts. (Picture book. 3-6)

Pub Date: May 26, 2015

ISBN: 978-0-374-30003-6

Page Count: 32

Publisher: Frances Foster/Farrar, Straus & Giroux

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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