by Jeanne Theoharis ‧ RELEASE DATE: Jan. 30, 2018
An impassioned call for continued efforts for change.
A hard-hitting revisionist history of civil rights activism.
Theoharis (Political Science/Brooklyn Coll.; The Rebellious Life of Mrs. Rosa Parks, 2013, etc.) argues persuasively that the reality of the civil rights movement has become a benign national fable, invoked by public officials and liberals to assert their “enlightened bona fides” and by critics of activist groups such as Black Lives Matter in an effort to silence them. Central to this fable are distorted images of Rosa Parks, depicted as a quiet, meek woman, and Martin Luther King Jr., whose achievements are attributed to his “loving, nonviolent approach.” As activist Julian Bond once put it, “the narrative of the movement has been reduced to ‘Rosa sat down, Martin stood up, then the white folks saw the light and saved the day.’ ” Theoharis strongly believes that turning the civil rights movement into “museum history” promotes the false idea of “an exceptional America moving past its own racism.” She also points out that racism is not limited to the South; she shows how the “polite racism” of the North “framed resistance to desegregation in the language of ‘neighborhood schools,’ ‘taxpayer’s rights,’ and ‘forced busing.’ ” Denying personal animosity toward blacks, Northerners revealed racism in “silence, coded language, and the demonization of dissent.” Theoharis takes the media to task for their coverage of uprisings in Detroit, Los Angeles, and New York; reporters, she writes, failed to investigate the “racial inequities embedded in their city’s schools, policing, or municipal structures” and presented the violence as a stunning surprise rather than the culmination “of a protracted struggle.” Similarly, she criticizes the movie Detroit (2017) for “completely erasing the history of Black life and activism in the city” before the killings depicted. She also criticizes Barack Obama, who as candidate and president warned black men not to use racism as an excuse for personal failure, thereby diverting focus from civil rights organizing to “inward self-help.” Chronicling the efforts of many activists, the author underscores her message that reform requires courage and hard work.
An impassioned call for continued efforts for change.Pub Date: Jan. 30, 2018
ISBN: 978-0-8070-7587-6
Page Count: 288
Publisher: Beacon Press
Review Posted Online: Oct. 29, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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by Jeanne Theoharis ; adapted by Brandy Colbert
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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