by Jeanne Willis ; illustrated by Joel Stewart ‧ RELEASE DATE: May 12, 2015
Children just graduating from nursery rhymes will find this a hoot.
Hey-diddle-diddle! Nursery-rhyme EMTs rescue stranded characters from “Mother Goose.” In verse!
All the animals stop to watch the ambulance zoom by. "Who's had an accident in Storyland today?" they wonder. Turns out it's the farmer's cow, who fell from a great height. A trio of paramedics patches her up, and she responds with a hearty "Moo!" The next day is even busier. They rescue Rock-a-Bye Baby, who fell from a bough. They bandage the nose of a poor washer maid who was bitten by a blackbird, a brother of the four and 20 that were baked into that pie. They race to the notorious wall to tend to the big egg Humpty Dumpty after his fall. The King's Horses and Men arrive while the ambulance crew is using jam and bread to cover Humpty's wounds. Next up is Little Boy Blue, whom they find beneath a haystack. He's none the worse for wear, but his mangled horn needs emergency repair, with hammers and “trumpet tape.” Willis' verse is bouncy without being overworked, and she puns with the best of them. Stewart's illustrations are appropriately bright and busy, offering plenty of side business for cognoscenti. The EMTs are human, two Caucasian and one black, and two of them are comfortably well-padded.
Children just graduating from nursery rhymes will find this a hoot. (Picture book. 3-7)Pub Date: May 12, 2015
ISBN: 978-0-7636-7402-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: March 2, 2015
Kirkus Reviews Issue: March 15, 2015
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by Jeanne Willis ; illustrated by Isabelle Follath
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by Jeanne Willis ; illustrated by Tony Ross
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by Jeanne Willis ; illustrated by Hrefna Bragadottir
by Susie Jaramillo ; illustrated by Susie Jaramillo ‧ RELEASE DATE: Nov. 8, 2022
A testament to the universality of love.
An expanded explanation of love in both English and Spanish.
Several animal personalities pose the question, “What is love?” and in a series of lift-the-flap responses present various emotional scenarios. Little Elephant asks Spider, “Is it the joy of having you around?” Spider asks, “Is it the way you lift me when I’m down?” Each page corresponds to a flap that reveals one of a multitude of feelings love can evoke in either an English or Spanish rhyme, which are not direct translations of each other. An interspersed refrain notes, “Amor for the Spanish, / and love en inglés. / Love in any language / always means the same.” A palette of pastels and purple and pink hues dominate as hearts abound on each page, surrounding the characters, who are adorable though on the overly sweet side. The characters are from the bilingual preschool series Canticos, though it will work even among those without knowledge of the show. Children more fluent in Spanish will be better able to appreciate this, and those familiar with the show will recognize the signature characters, including “Los Pollitos” (Little Chickies). (This book was reviewed digitally.)
A testament to the universality of love. (Board book. 3-6)Pub Date: Nov. 8, 2022
ISBN: 978-1-945635-72-4
Page Count: 24
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Susie Jaramillo ; illustrated by Abigail Gross
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by Susie Jaramillo ; illustrated by Susie Jaramillo
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by Kiley Frank ; illustrated by Aaron Meshon ‧ RELEASE DATE: Jan. 8, 2019
There’s always tomorrow.
A lyrical message of perseverance and optimism.
The text uses direct address, which the title- and final-page illustrations suggest comes from an adult voice, to offer inspiration and encouragement. The opening spreads reads, “Tonight as you sleep, a new day stirs. / Each kiss good night is a wish for tomorrow,” as the accompanying art depicts a child with black hair and light skin asleep in a bed that’s fantastically situated in a stylized landscape of buildings, overpasses, and roadways. The effect is dreamlike, in contrast with the next illustration, of a child of color walking through a field and blowing dandelion fluff at sunrise. Until the last spread, each child depicted in a range of settings is solitary. Some visual metaphors falter in terms of credibility, as in the case of a white-appearing child using a wheelchair in an Antarctic ice cave strewn with obstacles, as the text reads “you’ll explore the world, only feeling lost in your imagination.” Others are oblique in attempted connections between text and art. How does a picture of a pale-skinned, black-haired child on a bridge in the rain evoke “first moments that will dance with you”? But the image of a child with pink skin and brown hair scaling a wall as text reads “there will be injustice that will challenge you, and it will surprise you how brave you can be” is clearer.
There’s always tomorrow. (Picture book. 4-7)Pub Date: Jan. 8, 2019
ISBN: 978-1-101-99437-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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