Missing a few how-to tidbits but gorgeous and visually inspirational.
Inspiration and education for making collages at home.
Collage artist Baker combines suggestions about process and materials with representations of her own finished pieces to tempt readers into the creative world of collage. Photographs showing a technique of brushing glue onto a surface and then pressing sand onto it are just as beguiling as sumptuous spreads of “kitchen materials” (eggshell, spices, seeds, herbs), “nature materials” (lichen, leaves, grasses, barks), and “beach materials” (driftwood, bleached bones, tumbled glass, gravel, shells). Baker’s own finished collages, reproduced in Plaza’s photographs, are colorful and brimming with textures. Most are abstract, though one of sky and clouds features a gorgeous use of corrugated cardboard to represent a window. The inspiration here lies in the photographs’ glossy beauty, the vast options laid out for materials, and the ideas for conceptual process. There’s no exact instruction about how to glue such unwieldy stuff as fungi, sea sponge, or “marine gastropod eggs,” and although the text guides budding artists to avoid “anything still living,” information for discerning what’s alive must be sought elsewhere. The target audience’s age is fluid: Suggestions to use scalpels, superglue, and a light box—plus a suggestion to build a plywood frame—imply older readers than do notes to secure adult supervision when using plain scissors. Some recommended techniques take two to three weeks.
Missing a few how-to tidbits but gorgeous and visually inspirational. (introduction) (Nonfiction. 8-12)Pub Date: Oct. 22, 2019
ISBN: 978-1-5362-0539-8
Page Count: 40
Publisher: Candlewick Studio
Review Posted Online: July 23, 2019
Kirkus Reviews Issue: Aug. 15, 2019
A stimulating outing to the furthest reaches of our knowledge, certain to inspire deep thoughts.
From a Caldecott and Sibert honoree, an invitation to take a mind-expanding journey from the surface of our planet to the furthest reaches of the observable cosmos.
Though Chin’s assumption that we are even capable of understanding the scope of the universe is quixotic at best, he does effectively lead viewers on a journey that captures a sense of its scale. Following the model of Kees Boeke’s classic Cosmic View: The Universe in Forty Jumps (1957), he starts with four 8-year-old sky watchers of average height (and different racial presentations). They peer into a telescope and then are comically startled by the sudden arrival of an ostrich that is twice as tall…and then a giraffe that is over twice as tall as that…and going onward and upward, with ellipses at each page turn connecting the stages, past our atmosphere and solar system to the cosmic web of galactic superclusters. As he goes, precisely drawn earthly figures and features in the expansive illustrations give way to ever smaller celestial bodies and finally to glimmering swirls of distant lights against gulfs of deep black before ultimately returning to his starting place. A closing recap adds smaller images and additional details. Accompanying the spare narrative, valuable side notes supply specific lengths or distances and define their units of measure, accurately explain astronomical phenomena, and close with the provocative observation that “the observable universe is centered on us, but we are not in the center of the entire universe.”
A stimulating outing to the furthest reaches of our knowledge, certain to inspire deep thoughts. (afterword, websites, further reading) (Informational picture book. 8-10)Pub Date: Sept. 1, 2020
ISBN: 978-0-8234-4623-0
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: April 11, 2020
Kirkus Reviews Issue: May 1, 2020
PERSPECTIVES
PERSPECTIVES
Like oil itself, this is a book that needs to be handled with special care.
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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