An eloquent tale about real-life people with difficult problems.
A Massachusetts landlady befriends a tenant’s feisty daughter as they both unravel painful family secrets in this debut novel.
At the age of 72, Lena Barzetti has settled into a comfortable routine in 1999 as the longtime co-owner of a property company in Cambridge. She still goes into the office a few times a week, searches for vacant buildings to buy, and doesn’t get mixed up in other people’s business. A wild young girl arrives on the scene in the form of Kalayla Leeroyce, a biracial, green-eyed spitfire with an outrageously smart mouth. Lena discovers the girl lives with her mother, Maureen, in the same apartment building as she does, right across the hall. Knowing Maureen doesn’t have much money or free time, Lena tries to help Kalayla, including giving her a book with a black girl on the cover. Kalayla is hardly impressed and ruefully notes: “Tomorrow she’d probably be bringing me a book about a white girl ’cause my mama was white.” But she warms up to Lena and her home cooking and suggestions about activities. Kalayla’s father is dead and Maureen has told her that her own family, the O’Rourkes, died in a gas leak. As that story slowly falls apart, Kalayla has to confront painful realities about interracial marriages and their effects in the present day. Similarly, Lena has dealt with loss for decades, including two sons killed in Vietnam and one who disappeared after moving “out West.” Her abusive husband, Joey, is dead, but the bad memories persist, and she longs to find her missing son. Lena, Kalayla, and Maureen live in an old school, rough-and-tumble world, but there is also kindness, which they cling to as they confront the pasts they’ve tried to bury. Nicholas’ carefully layered novel excels at creating lifelike families with complicated, even sordid histories that touch on complex social problems. Marriages can be for business relationships; violence is a fact of life; and people can die young. The way that the author weaves in the memories with the present-day story is skillfully done and lends a good deal of authenticity to the characters. But the book can be slow going at times, and the middle section tends to drag. A more concise writing style would have strengthened the vivid journey toward the fully realized conclusion.
An eloquent tale about real-life people with difficult problems.Pub Date: June 2, 2019
ISBN: 978-0-578-49075-5
Page Count: 293
Publisher: Nurturing Light
Review Posted Online: Oct. 15, 2019
Review Program: Kirkus Indie
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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