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WELCOME TO THE URBAN REVOLUTION

HOW CITIES ARE CHANGING THE WORLD

Didactic prose and complex theorizing make for a tough slog, but it’s worth it for the author’s positive perspective on an...

Urbanist Brugmann (Business and Environment/Cambridge Univ.) proposes a transformation in the way we view our cities.

“The City,” as defined in this academic text, is “a single, complex, connected, and still very unstable urban system” spreading across the entire planet. Growing metropolitan areas will add two billion to their populations in the next 25 years. Many of their future inhabitants will be transients abandoning rural life to forge new opportunities. In these environments, all residents have the “urban advantage” of density, scale, association and extension. Using these variables, communities naturally form ecosystems of interrelation, affecting not only their immediate locales, but also the integrated whole: “The City.” Thus, migrant populations find ways to flourish regardless of public authority’s exclusion of them from the civic structure, and the effects of their contributions are felt far and wide. The author provides several examples to defend his theories, from Dharavi, a thriving slum of disenfranchised newcomers within Mumbai, to the spread of the Los Angeles gang MS-13 throughout the United States and into Central America. While these examples are pertinent and initially absorbing, the details often become exhausting after a few pages. At the heart of Brugmann’s text is his argument that we must shape urbanism for the new millennium by incorporating all of an area’s citizens. The book’s middle section outlines some common models that stall forward progress, including capitalist and political disjointedness (“Cities of Crisis”) and narrow, single-project planning that fails to account for the metropolis as a whole (“Great Opportunities Cities”). Finally, the author addresses his ideal scenario: “The Strategic City,” shaped by a common, steadily evolving vision. His examples are Chicago, Barcelona and Curitiba, Brazil. These organic “citysystems” employ different techniques to define their paths, from Curitiba’s progressive officials to Chicago’s bottom-up restructuring, but each succeeds in crafting all-encompassing tactics to take the metropolises in distinct new directions.

Didactic prose and complex theorizing make for a tough slog, but it’s worth it for the author’s positive perspective on an extremely broad and challenging issue.

Pub Date: May 1, 2009

ISBN: 978-1-59691-556-4

Page Count: 320

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2009

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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