by Jed Perl ‧ RELEASE DATE: April 14, 2020
A towering achievement.
The monumental conclusion to a two-part biography of Alexander Calder (1898-1976), one of the most important figures in 20th-century sculpture.
In this masterfully researched work, art historian Perl, a New York Review of Books contributor who served as the art critic for the New Republic for 20 years, has constructed an impressive monument that should raise the standards for future art biographies. The author celebrates his subject while effortlessly educating his audience; his text is at once erudite and accessible and achieves an exquisite balance between historical and theoretical readings. While the previous volume chronicled the genesis of Calder’s formal concepts, this one explores the life of an established artist as Calder was contemplating the permanence of his objects and his legacy. His career was catapulted by a series of outdoor commissions, as “people were beginning to recognize the power of his work to animate contemporary architectural spaces.” As Perl writes, “if in the 1930s Calder was conquering time as he made sculptures move, in the 1960s he was conquering space as he created abstract sculptures of a size and an impact seldom seen before.” Delicate mobiles evolved into “a new kind of urban landmark,” massive artworks that pulsed with “muscular energy.” Between Calder’s home in Roxbury, Connecticut, and his studio in rural France, Perl traces a steady sequence of major exhibitions and projects, from Calder’s MoMA debut in 1943 to his Whitney retrospective in 1976, which was on view the year he died of a heart attack. A rhapsodic historian, Perl presents each sculpture as a masterpiece, but he doesn’t shy away from criticism. He acknowledges that some considered Calder’s work “too easy” or “chic throwaways,” and he details the artist’s occasionally awkward commercial collaborations. Cumulatively, these episodes form a complete picture of an exceptional artist and all the significant developments of his oeuvre. Perl finds a vivacity between the artist and his many creations. “No longer were the figures in a painting or a sculpture what really mattered,” he writes. “Now what mattered was the life of the work of art itself.”
A towering achievement.Pub Date: April 14, 2020
ISBN: 978-0-451-49411-5
Page Count: 688
Publisher: Knopf
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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