A terrifying account of global disorder and American decline.
In a dystopian future, a secretive government project threatens a small town.
Resurrection, a modestly sized town in Colorado, has seen better days; its mine closed down, essentially killing its economy. Much to his surprise, Sheriff Rick Johnson one day discovers a peculiar fence erected around the abandoned mine and a heavily armed crew guarding activity inside, both frenetically and furtively conducted. Hank Keefer, the man in charge of the band, convinces Johnson to keep the project to himself for a couple of days, promising to donate millions to Resurrection in exchange for his cooperation. But during a major festival, Keefer and his men commandeer the town and forcibly quarantine it. Keefer reveals that he’s actually a colonel with the Army’s Special Weapons Division and that he’s been using the mine to develop a deadly biological weapon; as a result of a mishap, a toxin was inadvertently released in the air. The toxin has the potential to wipe out Resurrection’s entire population, but Keefer assures the residents he can save them with a vaccine he has in plentiful supply. Johnson, however, is skeptical from the start and suspects that Keefer’s true intentions are nefarious. Meanwhile, Johnson, a war hero suffering from the trauma of the violent campaigns he participated in, tries to find normality in Resurrection. He carries on a slow but tender romance with a local, Dahlia Stevens, the mother of a young boy, but struggles to reconcile with Cassie Baker, his former paramour, a scientist who returns to town to inspect the mine. Gunhus (Where Are Your Shoes, 2017, etc.) adroitly designs a frightening world upended by geopolitical chaos; the United States, the victim of catastrophic terrorist attacks, struggles to bring order to global madness: “The Chinese invasions through Asia, the instability in Russia, the chaos in South America, the street-to-street fighting against the Jihadis in European capitals, all of it showed the average American a world sliding toward darkness.” Johnson is a memorable and relatable hero, hardened by war and loss but astonishingly hopeful. This tale offers a deliciously creepy vision of a grim tomorrow rendered harrowingly plausible.
A terrifying account of global disorder and American decline.Pub Date: June 5, 2017
ISBN: N/A
Page Count: 372
Publisher: Seven Guns Press
Review Posted Online: May 6, 2017
Kirkus Reviews Issue: June 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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