A notable whodunit featuring an unconventional detective.
The hunt for a serial killer leads to a further mystery for a New York Times crime reporter in Hahn’s debut mystery.
This story is told from the perspective of a nameless, old-school newspaper journalist in an era when “social media and self-published press releases allowed the [police] department to control the narrative, avoid hard questions and inform the public faster.” The crime reporter has earned the trust of Edward McCuen, captain of the New York City police department’s Crime Scene Unit; at the same time, the journo is trying to uncover the story of McCuen’s “carefully guarded secret”—a man named Anselm Winterbottom, who offers the department off-the-books investigative help: “I began seeing him at every major crime scene,” according to the narrator. It turns out that Winterbottom has a Holmes-ian knack for finding clues that others can’t: “We’ve done all that we can do, and we’ve done it well,” McCuen tells him at a murder site. “Now I need you to do—what you do.” However, the mystery that the reporter wants to solve is what compels the amateur gumshoe to provide his services, so he begins his own side investigation into Winterbottom’s identity and uncovers an ethically troubling arrangement he has with McCuen as well as the sleuth’s personal demons. Hahn has created a memorable character in Winterbottom, whose peerless intellect is an asset to the NYPD and a bane to equally brilliant murderers hoping to continue their murder sprees without fear. Hahn deftly details his characters and keeps the killer at the center of the tale well hidden. He also vividly sketches his New York setting; the Metropolitan Museum of Art plays a pivotal role in the story, as when Winterbottom summons McCuen and his team to a gallery featuring life-sized portraits of women in Victorian dress, cryptically stating, “These are what our killer is after.” One quibble is that the narrator is sometimes privy to what other characters are thinking and re-creates conversations that happen outside his presence. That said, the novel’s last sentence is chillingly effective.
A notable whodunit featuring an unconventional detective.Pub Date: June 30, 2021
ISBN: 978-0-578-93566-9
Page Count: 348
Publisher: Jeff
Review Posted Online: Sept. 30, 2021
Kirkus Reviews Issue: Dec. 1, 2021
Review Program: Kirkus Indie
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.
A widowed and disgraced plastic surgeon is drawn into a Russian oligarch’s evil schemes.
Witherspoon’s adult fiction debut, co-authored with thrillermeister Coben, opens as heart surgery performed by Dr. Marc Adams in a North African refugee camp is interrupted by the explosive invasion of armed militants. It's the last we will see of Marc in this dimension. The next chapter jumps ahead one year to a ceremony at Johns Hopkins University in Baltimore where his widow, Maggie McCabe, is supposed to be presenting an award in honor of her mother. Miserable and anxious about appearing in public after having lost her medical license, she consults with her late husband on her phone—not via supernatural means, but using a "griefbot," an amazingly lifelike and functional AI app created by her genius sister, Sharon. Once the griefbot coaxes her to brave the sneering masses, she learns she’s been replaced on the podium anyway. But she runs into a former professor, a celebrity plastic surgeon, who requests a meeting with her at his office in New York and won’t take no for an answer. Next thing she knows, there’s $10 million in her bank account and she’s on a private plane heading to a palace outside Moscow where she’s been engaged to perform off-the-record surgery on billionaire Oleg Ragoravich (new face) and his girlfriend, Nadia (new boobs). And…we’re off. A whirl of surgeries, chases, and escapes ensues as Maggie gradually comes to understand who these people are and what they have in mind for her, and how it connects to Marc and their missing friend and business partner, Trace Packer. She is aided by her delightful father-in-law, Porkchop, owner of a biker bar in New York City and a very handy guy to have on your team if you've run afoul of an international criminal organization. From the palace in Rublevka the action moves to Dubai and then Bordeaux, climaxing in a high-stakes illegal heart transplant. But wait—is Marc really dead? What happened to Trace? Who is Nadia really? Though these smoldering questions don’t quite catch fire, it's a good first try for Witherspoon.
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.Pub Date: Oct. 14, 2025
ISBN: 9781538774700
Page Count: 352
Publisher: Grand Central Publishing
Review Posted Online: Oct. 15, 2025
Kirkus Reviews Issue: Dec. 1, 2025
SEEN & HEARD
SEEN & HEARD
Fast-moving and disturbingly plausible.
Robots may be the future of warfare in this final father-son DeMille collaboration.
In Camp Hayden, Army Maj. Roger Ames is found dead, his skull crushed. Chief Warrant Officers Scott Brodie and Maggie Taylor, special agents of the United States Army Criminal Investigation Division, are sent to the Mojave Desert, “a.k.a. in the middle of nowhere,” to investigate. In this fictional military installation, Army Rangers conduct field training exercises with lethal autonomous weapons. These “dangerous new toys,” nicknamed “tin men,” may become the future of warfare if they can be programmed to distinguish between friend and foe. Anyway, the Rangers’ job is to train the tin men, not the other way around. They are AI-driven robotic prototypes called D-17s, but even prototypes can kill. Did a bot kill the major? And was there criminal liability or intent, or was it a tragic accident? Brodie and Taylor discover that not everyone loves these beasts, and they must find out if humans are programming them for mischief or even trying to set up the program for failure. Meanwhile, the bots have nicknames. Bot number 20 is Bucky, seen on a video as a “seven-foot-tall titanium machine with hands covered in blood and brain matter” that has “a face but no eyes, with hands but no skin, with a body but no soul.” As scary as these beasties are, Brodie and Taylor must also look at the humans at Camp Hayden, because they learn that the “machines don’t have motives….They have inputs and outputs,” which naturally come from human programmers. They have neither brains nor courage nor honor; they do have brute force, speed, and agility. Obviously, plenty goes haywire in this enjoyable yarn. It feels a bit too believable for comfort, and that’s to the DeMilles’ credit as storytellers. Nelson DeMille had begun this project with his son Alex, who had to finish it alone after his father’s death.
Fast-moving and disturbingly plausible.Pub Date: Oct. 28, 2025
ISBN: 9781501101878
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: July 19, 2025
Kirkus Reviews Issue: Aug. 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
