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CHARLES BRIDGE

An absorbing, intelligent thriller that considers the human costs of clandestine operations.

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In this Cold War novel, an American woman, recruited to help exfiltrate a scientist’s daughter, runs into danger in Czechoslovakia.

At first, Benjamin Singer seems like an ordinary, well-heeled customer at New York City’s Gramercy Antiques. Dealer Claire Markham enjoys traveling to London on his behalf to bid on an antique clock, so when he has an unusual proposal, she listens. Singer explains that he’s with the New Exodus Project, a charity helping Soviet Jews immigrate to Israel—not easy in 1983. A Jewish scientist in the Soviet Union wants the organization’s aid in exfiltrating his daughter, Tatiana Savchenko, who’s being punished for his political sins. In her role as antiques dealer, Claire could pass necessary documents to Tatiana in Prague, where she’ll be attending a conference. Claire doesn’t hesitate to agree; “it’s the right thing to do.” But the mission isn’t as straightforward as Singer represents it, and despite careful orchestration and contingency plans by high-level operatives in several countries, things go wrong. As Claire desperately tries to cross the border with the help of an American folk singer and a Czech artist, the KGB sends one of its wiliest counterintelligence officers (nicknamed “Grandmaster”) to find her. Flanders, who has written several historical novels—including a trilogy of Cold War thrillers set in the mid-20th century—again skillfully blends compelling characters with tense, exciting intrigue. By focusing on the pawns of this chess game, such as the seemingly easygoing folk singer Summer Devine, whose appropriately sunny demeanor masks daring courage, the author brings a compassionate eye to their real sacrifices in the name of idealism. The subtle layers of truth, shades of integrity, and motivations both personal and political lend complexity to both sides of the Iron Curtain.

An absorbing, intelligent thriller that considers the human costs of clandestine operations.

Pub Date: Aug. 25, 2020

ISBN: 978-1-73548-050-3

Page Count: 383

Publisher: Munroe Hill Press

Review Posted Online: Sept. 25, 2020

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THE MATCHMAKER

Intrigue, murder, and vengeance make for a darkly enjoyable read.

A woman’s life takes a stunning turn and a wall comes tumbling down in this tense Cold War spy drama.

In Berlin in 1989, the wall is about to crumble, and Anne Simpson’s husband, Stefan Koehler, goes missing. She is a translator working with refugees from the communist bloc, and he is a piano tuner who travels around Europe with orchestras. Or so he claims. German intelligence service the BND and America’s CIA bring her in for questioning, wrongly thinking she’s protecting him. Soon she begins to learn more about Stefan, whom she had met in the Netherlands a few years ago. She realizes he’s a “gregarious musician with easy charm who collected friends like a beachcomber collects shells, keeping a few, discarding most.” Police find his wallet in a canal and his prized zither in nearby bushes but not his body. Has he been murdered? What’s going on? And why does the BND care? If Stefan is alive, he’s in deep trouble, because he’s believed to be working for the Stasi. She’s told “the dead have a way of showing up. It is only the living who hide.” And she’s quite believable when she wonders, “Can you grieve for someone who betrayed you?” Smart and observant, she notes that the reaction by one of her interrogators is “as false as his toupee. Obvious, uncalled for, and easily put on.” Lurking behind the scenes is the Matchmaker, who specializes in finding women—“American. Divorced. Unhappy,” and possibly having access to Western secrets—who will fall for one of his Romeos. Anne is the perfect fit. “The matchmaker turned love into tradecraft,” a CIA agent tells her. But espionage is an amoral business where duty trumps decency, and “deploring the morality of spies is like deploring violence in boxers.” It’s a sentiment John le Carré would have endorsed, but Anne may have the final word.

Intrigue, murder, and vengeance make for a darkly enjoyable read.

Pub Date: Feb. 1, 2022

ISBN: 978-1-64313-865-7

Page Count: 352

Publisher: Pegasus Crime

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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DRAGON TEETH

Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...

In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.

William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.

Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.

Pub Date: May 23, 2017

ISBN: 978-0-06-247335-6

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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