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THE GOODBYE MAN

Not the best Deaver to offer friends you are hoping to get as firmly hooked as you are.

Colter Shaw, the freelance bounty hunter who debuted in The Never Game (2019), infiltrates a cult masquerading as a grief support group.

Despite the usual hard-nosed competition from his rival, Dalton Crowe, Shaw has no trouble locating suspected neo-Nazis Adam Harper and Erick Young, sought for burning a cross on the grounds of a church, and turning them over to the police. That’s when everything goes sideways, for the law in this case is so lawless that Adam would rather kill himself than be arrested, and Erick narrowly escapes with his life. Troubled enough to look into the fugitives’ histories, Shaw is led to the Osiris Foundation, a for-profit enclave in the mountains of Washington, which had clearly changed Adam’s life. Turning the hefty reward the Western Washington Ecumenical Council had offered for their apprehension over to Erick’s parents, Shaw goes underground as Carter Skye, enrolling in the Process™ developed by Osiris founder and director Master Eli, ne David Ellis. He quickly finds himself mired in an isolated cult in which paramilitary bodyguards support a leader who has every flaw you’d expect from his role. The thrills that follow are authentic, but the attempt to weave this plot together with Shaw’s continuing quest for the truth about his survivalist father’s last months is surprisingly awkward, and the use of four separate scenes in which characters you thought were dead spring back to life suggests that the boundlessly inventive Deaver may be running low on new tricks.

Not the best Deaver to offer friends you are hoping to get as firmly hooked as you are.

Pub Date: May 12, 2020

ISBN: 978-0-525-53597-3

Page Count: 432

Publisher: Putnam

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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EVERYONE IN MY FAMILY HAS KILLED SOMEONE

This book and its author are cleverer than you and want you to know it.

In this mystery, the narrator constantly adds commentary on how the story is constructed.

In 1929, during the golden age of mysteries, a (real-life) writer named Ronald Knox published the “10 Commandments of Detective Fiction,” 10 rules that mystery writers should obey in order to “play fair.” When faced with his own mystery story, our narrator, an author named Ernest Cunningham who "write[s] books about how to write books," feels like he must follow these rules himself. The story seemingly begins on the night his brother Michael calls to ask him to help bury a body—and shows up with the body and a bag containing $267,000. Fast-forward three years, and Ernie’s family has gathered at a ski resort to celebrate Michael’s release from prison. The family dynamics are, to put it lightly, complicated—and that’s before a man shows up dead in the snow and Michael arrives with a coffin in a truck. When the local cop arrests Michael for the murder, things get even more complicated: There are more deaths; Michael tells a story about a coverup involving their father, who was part of a gang called the Sabers; and Ernie still has (most of) the money and isn’t sure whom to trust or what to do with it. Eventually, Ernie puts all the pieces together and gathers the (remaining) family members and various extras for the great denouement. As the plot develops, it becomes clear that there’s a pretty interesting mystery at the heart of this novel, but Stevenson’s postmodern style has Ernie constantly breaking the fourth wall to explain how the structure of his story meets the criteria for a successful detective story. Some readers are drawn to mysteries because they love the formula and logic—this one’s for them. If you like the slow, sometimes-creepy, sometimes-comforting unspooling of a good mystery, it might not be your cup of tea—though the ending, to be fair, is still something of a surprise.

This book and its author are cleverer than you and want you to know it.

Pub Date: Jan. 17, 2023

ISBN: 978-0-06-327902-5

Page Count: 384

Publisher: Mariner Books

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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NONE OF THIS IS TRUE

It's hard to read but hard to look away from.

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  • New York Times Bestseller

When two women who share a birthday meet, a journalist becomes the subject of her own true-crime mystery.

On their 45th birthdays, Josie Fair and Alix Summer meet at a pub and discover they were born not only on the same day, but in the same hospital. Alix is a successful journalist, and Josie convinces Alix that her story is worth telling: Josie met her husband when she was 13 and he was 40. “I can see that maybe I was being used, that maybe I was even being groomed?” she confesses to Alix. “But that feeling of being powerful, right at the start, when I was still in control. I miss that sometimes. I really do. And what I’d like, more than anything, is to get it back.” From this premise Alix creates a Netflix series, Hi! I’m Your Birthday Twin! which investigates Josie’s life as she reconciles what happened to her as a teen and seeks a new path. With the story unfinished, the narrative unfolds in the present tense, with prose that jingles like song lyrics: “He turns to see if the girl is behind him, and sees her wishy-washy, wavy-wavy, in double vision through the glass windows of the hotel.” Alix is both intrigued and repulsed by Josie, but she initially gives her the benefit of the doubt. After all, Alix’s husband, Nathan, has a drinking problem, and Alix knows what it’s like to be reluctant to leave a bad situation. But Josie seems more interested in being part of Alix’s seemingly glamorous life than she is in fixing her own, and when three people end up dead and Alix’s life is turned upside down, the evidence points to Josie—and turns the TV series into a murder mystery. Transcripts from Alix’s interviews alternate with the narrative, offering increasingly varied perspectives on Josie’s story as told by her neighbors, friends, and family members. With so many versions of events, the ending shatters, leaving readers to decide whose is the truth.

It's hard to read but hard to look away from.

Pub Date: Aug. 8, 2023

ISBN: 9781982179007

Page Count: 384

Publisher: Atria

Review Posted Online: May 24, 2023

Kirkus Reviews Issue: June 15, 2023

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