by Jeffrey A. Trachtenberg ‧ RELEASE DATE: Nov. 1, 1996
A workmanlike account of the selling and salvaging of R.H. Macy's, an American retailing institution. Wall Street Journal correspondent Trachtenberg (Ralph Lauren, 1988) starts with a brief history of the business founded by Rowland Hussey Macy in New York in 1858. The real story begins, though, with the arrival in 1948 of a trainee named Edward S. Finkelstein. A gifted merchant, the hard-driving Harvard Business School grad worked his way up the corporate ladder and in 1980 was named the Manhattan-based company's CEO, with baronial offices atop its storied Herald Square flagship (still the world's largest department store). Five years on, the vaultingly ambitious Finkelstein (then 60) resolved to take Macy's private, to give himself a freer hand. Fee-hungry investment bankers and lawyers soon arranged a leveraged buyout that yielded stockholders a handsome premium and left Finkelstein & Co. in charge of a debt- burdened national chain. Owing to overly optimistic profit projections and a series of merchandising miscalculations, the deal was in almost instant trouble. Nor did it help that Finkelstein had contracted a severe case of hubris, placing a risky bet on private labels and installing his unqualified sons in key positions. While a cash-strapped Macy's was struggling to convince edgy lenders and vendors it was creditworthy, two top rivals (Allied and Federated) were taken over by an oddball Canadian named Robert Campeau; he promptly managed his new holdings into bankruptcy, forcing Finkelstein (who had rashly entered Macy's in the bidding contest for Federated) to engage in ruinous markdown battles. The company's mistakes and misfortunes eventually put it in receivership, and Federated (which had successfully reorganized in the meantime) was able to acquire Macy's on decidedly favorable terms, with an embittered Finkelstein obliged to watch from the sidelines. An enlightening postmortem on a consequential LBO, which vividly depicts its human and socioeconomic costs. (8 pages photos, not seen)
Pub Date: Nov. 1, 1996
ISBN: 0-8129-2155-0
Page Count: 352
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1996
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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