A sad case of sequelitis. Next year?
William Warwick, newly promoted to Inspector Warwick, finds that putting away the drug lord he caught in Hidden in Plain Sight (2020) may not be as easy as he thought.
The good news is that tea importer Assem Rashidi, who imports a lot more than tea, is finally in custody and that nefarious financier Miles Faulkner is on the run. The bad news is that no one can find any trace of Faulkner’s ill-gotten fortune, including his fabulous collection of old-master paintings, and that Rashidi’s engaged Booth Watson, Queen’s Counsel, as his barrister. What chance does oleaginous Watson have against Crown Prosecutor Sir Julian Warwick, William’s father, and his junior, William’s sister Grace, with William himself as star witness? Quite a good chance, as it turns out in the trial that unfolds over much of this tale’s first half. The complications that follow—WPC Nicola Bailey, assigned to watch over DS Jerry Summers, a suspected underworld contact, gets so close to her target that they end up in bed, and Faulkner survives reports of his death and cremation to attend his own funeral, the beneficiary of some plastic surgery so expert that the only attendee to give him a second glance is Booth Watson, QC—are both more shapeless and more flatly incredible. The swirl of criminal intrigue culminates in a second trial when William finally swoops down on Jerry Summers, but this one, even though the legal talent on both sides is exactly the same, is a lot less compelling than the first. Archer, who makes every page readable even when the events he’s recounting are least credible, provides a nice coda concerning one of those old masters.
A sad case of sequelitis. Next year?Pub Date: April 13, 2021
ISBN: 978-1-2502-0080-8
Page Count: 352
Publisher: St. Martin's
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Smart, edgy, and entertaining as heck.
Against her better judgment, Lucy Chase returns to her hometown of Plumpton, Texas, for her grandmother’s birthday, knowing full well that almost everyone in town still believes she murdered her best friend five years ago, when they were in their early 20s.
Coincidentally—or is it?—Ben Owens, a true-crime podcaster, is also in town, interviewing Lucy’s family and former friends about the murder of Savannah Harper, “just the sweetest girl you ever met,” who died from several violent blows to the head. Lucy was found hours later covered in blood, with no memory of what happened. She was—and is—a woman with secrets, which has not endeared her to the people of Plumpton; their narrative is that she was always violent, secretive, difficult. But Ben wants to tell Lucy’s story; attractive and relentless, he uncovers new evidence and coaxes new interviews, and people slowly begin to question whether Lucy is truly guilty. Lucy, meanwhile, lets down her guard, and as she and Ben draw closer together, she has to finally face the truth of her past and unmask the murderer of her complicated, gorgeous, protective friend. Most of the novel is told from Lucy’s point of view, which allows for a natural unspooling of the layers of her life and her story. She’s strong, she’s prickly, and we gradually begin to understand just how wronged she has been. The story is a striking commentary on the insular and harmful nature of small-town prejudice and how women who don’t fit a certain mold are often considered outliers, if not straight-up villains. Tintera is smart to capitalize on how the true-crime podcast boom informs and infuses the current fictional thriller scene; she’s also effective at writing action that transcends the podcast structure.
Smart, edgy, and entertaining as heck.Pub Date: March 5, 2024
ISBN: 9781250880314
Page Count: 352
Publisher: Celadon Books
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
SEEN & HEARD
Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.
A snap of the yo-yo string yanks Harry Bosch out of retirement yet again.
Los Angeles Councilman Jake Pearlman has resurrected the LAPD’s Open-Unsolved Unit in order to reopen the case of his kid sister, Sarah, whose 1994 murder was instantly eclipsed in the press by the O.J. Simpson case when it broke a day later. Since not even a councilor can reconstitute a police unit for a single favored case, Det. Renée Ballard and her mostly volunteer (read: unpaid) crew are expected to reopen some other cold cases as well, giving Bosch a fresh opportunity to gather evidence against Finbar McShane, the crooked manager he’s convinced executed industrial contractor Stephen Gallagher, his wife, and their two children in 2013 and buried them in a single desert grave. The case has haunted Bosch more than any other he failed to close, and he’s fine to work the Pearlman homicide if it’ll give him another crack at McShane. As it turns out, the Pearlman case is considerably more interesting—partly because the break that leads the unit to a surprising new suspect turns out to be both fraught and misleading, partly because identifying the killer is only the beginning of Bosch’s problems. The windup of the Gallagher murders, a testament to sweating every detail and following every lead wherever it goes, is more heartfelt but less wily and dramatic. Fans of the aging detective who fear that he might be mellowing will be happy to hear that “putting him on a team did not make him a team player.”
Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.Pub Date: Nov. 8, 2022
ISBN: 978-0-316-48565-4
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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