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VOICES AND VISIONS

THE EVOLUTION OF THE BLACK EXPERIENCE AT NORTHWESTERN UNIVERSITY

A painstakingly researched and affecting study.

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A wide-ranging history of the evolving experience of African-Americans at Northwestern University.

While historians have often neglected to record the accomplishments of African-Americans, there has always been an alternative fount of information on the black experience in America: a vibrant oral tradition. Debut author Lowery and Sterling (Behind the Curtain, 2016) aim to capture the lessons of that tradition in writing by presenting the history of the black experience at Northwestern University through a series of interviews with its notable black graduates. They cover a broad swath of historical terrain—campus life, the experience of the black athlete, the tumultuous emergence of black activism, and the transformation of the institution from one that once excluded blacks from living on campus to one that makes a concerted effort to welcome them. The authors both movingly and meticulously depict that transformation. In 1902, Isabella Ellis’ first roommate protested sharing living quarters with a black roommate, and in the same year, Northwestern officially adopted a policy of housing segregation, not overturned until 1953. Stanley L. Hill, another graduate, was surprised to find the campus a tinderbox of activism even after so much watershed civil rights legislation had passed by the mid-’60s, and he participated in the takeover of the bursar’s office in 1968. The sum result of this institutional evolution is not a campus without prejudice but one committed to the development of each student regardless of race. According to the current provost: “There are unique needs across communities that are driven by different sets of cultural experiences, racial experiences, class-based experiences, etc., but I think it’s always important to articulate that fact that we are going to do the best we can so that every student can just be a student.” Both Lowery and Sterling graduated from Northwestern, and Sterling serves as president of the Northwestern University Black Alumni Association (Lowery once served as its vice president). The authors’ enthusiastic devotion to the university is constantly evident, and their knowledge of the institution’s history is breathtaking. One can only imagine the hours of labor it took to conduct and record dozens of thoughtful interviews. The result is rare: a massive archive of historical information that is not only a valuable scholarly reference, but a readable book brimming with insight and drama. Also, Lowery and Sterling supply an unvarnished account of a complex evolution that isn’t a simple triumph of good over evil. Alexandria Bobbitt graduated in 2016 and recounts her encounter with “blatant racism” despite years of progress and hard-won improvement. The authors clearly intended to capture the totality of the black experience, one that inevitably includes not only collegiate success and acceptance, but also the struggle against a prejudice that has proved remarkably persistent. They vividly limn the history of a people, of the diminishing but stubborn forces that discriminate against them, and the metamorphosis of the institution that ultimately championed their cause. This is an astonishingly instructive book and should be read by all Northwestern students and faculty, African-American and otherwise.

A painstakingly researched and affecting study.

Pub Date: May 25, 2018

ISBN: 978-0-692-12737-7

Page Count: 560

Publisher: CreateSpace

Review Posted Online: Oct. 8, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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