A painstakingly researched and affecting study.

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VOICES AND VISIONS

THE EVOLUTION OF THE BLACK EXPERIENCE AT NORTHWESTERN UNIVERSITY

A wide-ranging history of the evolving experience of African-Americans at Northwestern University.

While historians have often neglected to record the accomplishments of African-Americans, there has always been an alternative fount of information on the black experience in America: a vibrant oral tradition. Debut author Lowery and Sterling (Behind the Curtain, 2016) aim to capture the lessons of that tradition in writing by presenting the history of the black experience at Northwestern University through a series of interviews with its notable black graduates. They cover a broad swath of historical terrain—campus life, the experience of the black athlete, the tumultuous emergence of black activism, and the transformation of the institution from one that once excluded blacks from living on campus to one that makes a concerted effort to welcome them. The authors both movingly and meticulously depict that transformation. In 1902, Isabella Ellis’ first roommate protested sharing living quarters with a black roommate, and in the same year, Northwestern officially adopted a policy of housing segregation, not overturned until 1953. Stanley L. Hill, another graduate, was surprised to find the campus a tinderbox of activism even after so much watershed civil rights legislation had passed by the mid-’60s, and he participated in the takeover of the bursar’s office in 1968. The sum result of this institutional evolution is not a campus without prejudice but one committed to the development of each student regardless of race. According to the current provost: “There are unique needs across communities that are driven by different sets of cultural experiences, racial experiences, class-based experiences, etc., but I think it’s always important to articulate that fact that we are going to do the best we can so that every student can just be a student.” Both Lowery and Sterling graduated from Northwestern, and Sterling serves as president of the Northwestern University Black Alumni Association (Lowery once served as its vice president). The authors’ enthusiastic devotion to the university is constantly evident, and their knowledge of the institution’s history is breathtaking. One can only imagine the hours of labor it took to conduct and record dozens of thoughtful interviews. The result is rare: a massive archive of historical information that is not only a valuable scholarly reference, but a readable book brimming with insight and drama. Also, Lowery and Sterling supply an unvarnished account of a complex evolution that isn’t a simple triumph of good over evil. Alexandria Bobbitt graduated in 2016 and recounts her encounter with “blatant racism” despite years of progress and hard-won improvement. The authors clearly intended to capture the totality of the black experience, one that inevitably includes not only collegiate success and acceptance, but also the struggle against a prejudice that has proved remarkably persistent. They vividly limn the history of a people, of the diminishing but stubborn forces that discriminate against them, and the metamorphosis of the institution that ultimately championed their cause. This is an astonishingly instructive book and should be read by all Northwestern students and faculty, African-American and otherwise.

A painstakingly researched and affecting study.

Pub Date: May 25, 2018

ISBN: 978-0-692-12737-7

Page Count: 560

Publisher: CreateSpace

Review Posted Online: Oct. 8, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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