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VOICES AND VISIONS

THE EVOLUTION OF THE BLACK EXPERIENCE AT NORTHWESTERN UNIVERSITY

A painstakingly researched and affecting study.

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A wide-ranging history of the evolving experience of African-Americans at Northwestern University.

While historians have often neglected to record the accomplishments of African-Americans, there has always been an alternative fount of information on the black experience in America: a vibrant oral tradition. Debut author Lowery and Sterling (Behind the Curtain, 2016) aim to capture the lessons of that tradition in writing by presenting the history of the black experience at Northwestern University through a series of interviews with its notable black graduates. They cover a broad swath of historical terrain—campus life, the experience of the black athlete, the tumultuous emergence of black activism, and the transformation of the institution from one that once excluded blacks from living on campus to one that makes a concerted effort to welcome them. The authors both movingly and meticulously depict that transformation. In 1902, Isabella Ellis’ first roommate protested sharing living quarters with a black roommate, and in the same year, Northwestern officially adopted a policy of housing segregation, not overturned until 1953. Stanley L. Hill, another graduate, was surprised to find the campus a tinderbox of activism even after so much watershed civil rights legislation had passed by the mid-’60s, and he participated in the takeover of the bursar’s office in 1968. The sum result of this institutional evolution is not a campus without prejudice but one committed to the development of each student regardless of race. According to the current provost: “There are unique needs across communities that are driven by different sets of cultural experiences, racial experiences, class-based experiences, etc., but I think it’s always important to articulate that fact that we are going to do the best we can so that every student can just be a student.” Both Lowery and Sterling graduated from Northwestern, and Sterling serves as president of the Northwestern University Black Alumni Association (Lowery once served as its vice president). The authors’ enthusiastic devotion to the university is constantly evident, and their knowledge of the institution’s history is breathtaking. One can only imagine the hours of labor it took to conduct and record dozens of thoughtful interviews. The result is rare: a massive archive of historical information that is not only a valuable scholarly reference, but a readable book brimming with insight and drama. Also, Lowery and Sterling supply an unvarnished account of a complex evolution that isn’t a simple triumph of good over evil. Alexandria Bobbitt graduated in 2016 and recounts her encounter with “blatant racism” despite years of progress and hard-won improvement. The authors clearly intended to capture the totality of the black experience, one that inevitably includes not only collegiate success and acceptance, but also the struggle against a prejudice that has proved remarkably persistent. They vividly limn the history of a people, of the diminishing but stubborn forces that discriminate against them, and the metamorphosis of the institution that ultimately championed their cause. This is an astonishingly instructive book and should be read by all Northwestern students and faculty, African-American and otherwise.

A painstakingly researched and affecting study.

Pub Date: May 25, 2018

ISBN: 978-0-692-12737-7

Page Count: 560

Publisher: CreateSpace

Review Posted Online: Oct. 8, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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THIS IS SHAKESPEARE

A brief but sometimes knotty and earnest set of studies best suited for Shakespeare enthusiasts.

A brisk study of 20 of the Bard’s plays, focused on stripping off four centuries of overcooked analysis and tangled reinterpretations.

“I don’t really care what he might have meant, nor should you,” writes Smith (Shakespeare Studies/Oxford Univ.; Shakespeare’s First Folio: Four Centuries of an Iconic Book, 2016, etc.) in the introduction to this collection. Noting the “gappy” quality of many of his plays—i.e., the dearth of stage directions, the odd tonal and plot twists—the author strives to fill those gaps not with psychological analyses but rather historical context for the ambiguities. She’s less concerned, for instance, with whether Hamlet represents the first flower of the modern mind and instead keys into how the melancholy Dane and his father share a name, making it a study of “cumulative nostalgia” and our difficulty in escaping our pasts. Falstaff’s repeated appearances in multiple plays speak to Shakespeare’s crowd-pleasing tendencies. A Midsummer Night’s Dream is a bawdier and darker exploration of marriage than its teen-friendly interpretations suggest. Smith’s strict-constructionist analyses of the plays can be illuminating: Her understanding of British mores and theater culture in the Elizabethan era explains why Richard III only half-heartedly abandons its charismatic title character, and she is insightful in her discussion of how Twelfth Night labors to return to heterosexual convention after introducing a host of queer tropes. Smith's Shakespeare is eminently fallible, collaborative, and innovative, deliberately warping play structures and then sorting out how much he needs to un-warp them. Yet the book is neither scholarly nor as patiently introductory as works by experts like Stephen Greenblatt. Attempts to goose the language with hipper references—Much Ado About Nothing highlights the “ ‘bros before hoes’ ethic of the military,” and Falstaff is likened to Homer Simpson—mostly fall flat.

A brief but sometimes knotty and earnest set of studies best suited for Shakespeare enthusiasts.

Pub Date: April 21, 2020

ISBN: 978-1-5247-4854-8

Page Count: 368

Publisher: Pantheon

Review Posted Online: Dec. 17, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ME TALK PRETTY ONE DAY

Naughty good fun from an impossibly sardonic rogue, quickly rising to Twainian stature.

The undisputed champion of the self-conscious and the self-deprecating returns with yet more autobiographical gems from his apparently inexhaustible cache (Naked, 1997, etc.).

Sedaris at first mines what may be the most idiosyncratic, if innocuous, childhood since the McCourt clan. Here is father Lou, who’s propositioned, via phone, by married family friend Mrs. Midland (“Oh, Lou. It just feels so good to . . . talk to someone who really . . . understands”). Only years later is it divulged that “Mrs. Midland” was impersonated by Lou’s 12-year-old daughter Amy. (Lou, to the prankster’s relief, always politely declined Mrs. Midland’s overtures.) Meanwhile, Mrs. Sedaris—soon after she’s put a beloved sick cat to sleep—is terrorized by bogus reports of a “miraculous new cure for feline leukemia,” all orchestrated by her bitter children. Brilliant evildoing in this family is not unique to the author. Sedaris (also an essayist on National Public Radio) approaches comic preeminence as he details his futile attempts, as an adult, to learn the French language. Having moved to Paris, he enrolls in French class and struggles endlessly with the logic in assigning inanimate objects a gender (“Why refer to Lady Flesh Wound or Good Sir Dishrag when these things could never live up to all that their sex implied?”). After months of this, Sedaris finds that the first French-spoken sentiment he’s fully understood has been directed to him by his sadistic teacher: “Every day spent with you is like having a cesarean section.” Among these misadventures, Sedaris catalogs his many bugaboos: the cigarette ban in New York restaurants (“I’m always searching the menu in hope that some courageous young chef has finally recognized tobacco as a vegetable”); the appending of company Web addresses to television commercials (“Who really wants to know more about Procter & Gamble?”); and a scatological dilemma that would likely remain taboo in most households.

Naughty good fun from an impossibly sardonic rogue, quickly rising to Twainian stature.

Pub Date: June 1, 2000

ISBN: 0-316-77772-2

Page Count: 288

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2000

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