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The Buried Symbol

From the The Runes of Issalia series , Vol. 1

While it shows potential, this tale lays the groundwork for future installments instead of delivering a rousing adventure.

A poor young man strives to rise above his station in a rigid society stratified into strict castes in this debut fantasy novel, the first in The Runes of Issalia series.

In Brock Talenz’s world, how much control people have over their lives is determined by whether they are granted a rune at a young age, defining them as one of the upper classes. Unfortunately for Brock, he belongs to the Unchosen, namely the lowest level of society, with no hope for upward mobility. After his beloved aunt dies of an illness the same day he was finally able to get her a doctor by stealing enough money to pay for the visit, Brock decides he has had enough. He goes to a man who gives him a counterfeit rune and then sets off with his best friend, Tipper, and a few others on the long journey to the Academy, where all of the upper echelons of this realm are trained. Along the way, Brock discovers he possesses strange powers when a banshee kills one of his companions and he manages to temporarily revive the corpse. Once Brock finally arrives at the Academy, he begins his education and discovers some buried truths that could threaten to unravel the Empire. Brock is by far the strongest element of Kohanek’s novel. Sharply drawn, natural, and sympathetic, the protagonist grounds the narrative, even amid its fantasy trappings. Neither the plot nor the world he inhabits is the genre’s most original, but both are solid, initially promising a sturdy foundation for a series. But at the same time, an overabundance of exposition weighs down this first installment, particularly once Brock reaches the school. What was a fairly exciting quest story suddenly gets bogged down in classroom minutiae, like Hogwarts without the whimsy, fun, and true sense of danger. After all of that, the book ends abruptly, revealing itself to have simply been a setup for sequels, with no emotional resolution or payoff.

While it shows potential, this tale lays the groundwork for future installments instead of delivering a rousing adventure.

Pub Date: April 26, 2016

ISBN: 978-1-61296-692-2

Page Count: 356

Publisher: Black Rose Writing

Review Posted Online: June 10, 2016

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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