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RIVER OF NO REPRIEVE

DESCENDING SIBERIA’S WATERWAY OF EXILE, DEATH, AND DESTINY

An evocative glimpse of an isolated, seldom visited part of Russia, though its depiction of volatile drunks in a bleak...

After 11 years in Moscow, American journalist Tayler took a river trip through Russia’s Siberian hinterlands, encountering a punishing climate and plentiful nostalgia for the communist past.

In the early 17th century, Tayler (Angry Wind, 2005, etc.) writes, the Cossacks sailed the Lena River from Lake Baikal to the Artic Circle, annexing the land for the tsar as they went. Since then, the settlements they established have been Russian outposts: home to exiles, ethnic minorities and pioneers who sought to build the Soviet state. Tayler set out to recreate the Cossacks’ voyage in the summer of 2004, traveling 2,400 miles of the river north in a raft. He was inspired, he explains, by a desire to escape the confines of Moscow and to try to understand the people who are President Vladimir Putin’s most stalwart supporters. The trip was punishing. Mosquitos and other pests abounded. Storms whipped up huge waves that threatened to capsize the raft. The guide, a veteran of the Soviet war in Afghanistan, made it clear from the beginning that he preferred the company of Siberia’s beautiful and barren landscape to that of his employer. Tayler, on the other hand, was interested in people, and he vividly sketches his sojourns into the remote river communities. Drunken, hopeless teens danced in shacks; drunken, hopeless adults bemoaned the end of communism; Tayler heard stories of underground nuclear blasts and resulting cancers; he saw villages abandoned and left to decay. Most of the people he met voiced enthusiasm for the Soviet days, glossing over Stalin’s death camps to remember the monetary support and sense of mission they had under communism. Their enthusiasm for Putin reflected their desire for a return to this idealized past.

An evocative glimpse of an isolated, seldom visited part of Russia, though its depiction of volatile drunks in a bleak landscape does no favors for the Siberian tourist industry.

Pub Date: July 11, 2006

ISBN: 0-618-53909-3

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2006

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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