An inspiring look at a child inventor whose drive and intelligence changed the world—for the blind and sighted alike.
Bryant follows an earlier biography for middle graders with this story, narrated by Louis, imagining life events from birth to age 15.
An accident in his father’s workshop damages Louis’ eye, and an ensuing infection that spreads to the other completely blinds him by age 5. “I sat by the window, training my ears to do what my eyes could not.” Braille’s family helps him adapt, crafting a wooden cane and tactile alphabet letters. “With Maman, I played dominoes, counting the dots with my fingertips.” Louis attends school, “listening and memorizing,” strongly motivated to read and write “on [his] own, like everyone else.” Louis, just 10, persuades his family to send him to the Royal School for the Blind in Paris after a local noblewoman secures his place. Louis endures harsh conditions there, eager to read the library’s promised special books. Their discovery proves disappointing. With sentences covering a half-page, whole books contain precious little. When a French army code is introduced to the students, its punched paper symbols are too complex for most. Louis both masters the code and alters it— brilliantly, at age 15—after years of painstaking work. Kulikov’s engrossing mixed-media illustrations interpose soft pastels with spreads of chalky blue line on ink-black pages, dramatically conveying Louis’ isolation and single-minded intensity.
An inspiring look at a child inventor whose drive and intelligence changed the world—for the blind and sighted alike. (Braille alphabet, French pronunciation guide, author’s note, Q-and-A, print and web resources) (Picture book. 6-9)Pub Date: Sept. 6, 2016
ISBN: 978-0-449-81337-9
Page Count: 40
Publisher: Knopf
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A worthy message delivered with a generous dose of inclusivity.
Sharing books brings children from multiple backgrounds together in this companion to Stacey’s Extraordinary Words (2021).
Again lightly burnishing actual childhood memories, voting rights activist and former gubernatorial candidate Abrams recalls reaching out as a young book lover to Julie, a new Vietnamese classmate shy about reading in English. Choosing books to read and discuss together on weekly excursions to the school’s library, the two are soon joined by enough other children from Gambia, South Korea, and elsewhere that their beaming librarian, Mr. McCormick, who is dark-skinned, sets up an after-school club. Later, Julie adds some give and take to their friendship by helping Stacey overcome her own reluctance to join the other children on the playground. Though views of the library seen through a faint golden haze flecked with stars go a little over the top (school librarians may disagree), Thomas fills the space with animated, bright-eyed young faces clustering intimately together over books and rendered in various shades beneath a range of hairstyles and head coverings. The author underscores the diversity of the cast by slipping scattered comments in Spanish, Wolof, and other languages into the dialogue and, after extolling throughout the power of books and stories to make new friends as well as open imaginations to new experiences and identities, brings all of her themes together in an afterword capped by an excellent list of recommended picture books. (This book was reviewed digitally.)
A worthy message delivered with a generous dose of inclusivity. (Picture-book memoir. 6-9)Pub Date: Dec. 13, 2022
ISBN: 978-0-06-327185-2
Page Count: 32
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
BOOK REVIEW
PERSPECTIVES
Formulaic but not stale…even if it does mine previous topical material rather than expand it.
A guide to better behavior—at home, on the playground, in class, and in the library.
Serving as a sort of overview for the series’ 12 previous exercises in behavior modeling, this latest outing opens with a set of badly behaving dinos, identified in an endpaper key and also inconspicuously in situ. Per series formula, these are paired to leading questions like “Does she spit out her broccoli onto the floor? / Does he shout ‘I hate meat loaf!’ while slamming the door?” (Choruses of “NO!” from young audiences are welcome.) Midway through, the tone changes (“No, dinosaurs don’t”), and good examples follow to the tune of positive declarative sentences: “They wipe up the tables and vacuum the floors. / They share all the books and they never slam doors,” etc. Teague’s customary, humongous prehistoric crew, all depicted in exact detail and with wildly flashy coloration, fill both their spreads and their human-scale scenes as their human parents—no same-sex couples but some are racially mixed, and in one the man’s the cook—join a similarly diverse set of sibs and other children in either disapprobation or approving smiles. All in all, it’s a well-tested mix of oblique and prescriptive approaches to proper behavior as well as a lighthearted way to play up the use of “please,” “thank you,” and even “I’ll help when you’re hurt.”
Formulaic but not stale…even if it does mine previous topical material rather than expand it. (Picture book. 6-8)Pub Date: Oct. 20, 2020
ISBN: 978-1-338-36334-0
Page Count: 40
Publisher: Blue Sky/Scholastic
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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