by Jen Grow ‧ RELEASE DATE: June 9, 2015
A sorrowful, fully felt collection that will drag you under.
A sprawling cast of women is submerged in suffering in Grow’s luminous and grim debut collection.
Like the watery bodies it evokes, the prose in these stories is translucent and sparkling. Water imagery—as a source of buoyancy, protection, fear, and comfort—abounds. “I come up for a quick breath and dive back under because he’s starting to say the thing again,” says the protagonist of “Stray.” “I love the thick silence water makes so sounds can’t touch me. It’s an escape I learned as a child.” Each story is an exploration of motherhood, wifehood, daughterhood, or neighborhood: the relationships that make up and strangle the characters, who are all, in their own ways, drowning. A housewife tries to come to grips with the inconsequentiality of her life in the title story. In “Small Deaths,” a daughter must inch her mother’s body across a bedroom floor after her protracted illness and death. In “Still at War,” a veteran’s wife oversees his interview by a local churchgoer and hovers at the edge of revealing their shared secret—that he’s been utterly undone by his service. A woman tries to walk away from her unfaithful husband but is repeatedly foiled by odd situations in “OK, Goodbye.” One story in particular rises above the others: “What Girls Leave Behind,” in which an alcoholic mother loses her young girls. This story climbs above the fog of sorrow that envelops the rest of the collection. Its raw immediacy is equal parts story and slice of pain and will leave you gasping. This is, perhaps, the only difficulty of this collection: the darkness at times feels overwhelming, and there is little relief until the book is over.A sorrowful, fully felt collection that will drag you under.
Pub Date: June 9, 2015
Page Count: 216
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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by Colleen Hoover ‧ RELEASE DATE: March 18, 2014
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
Awards & Accolades
New York Times Bestseller
Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.
Pub Date: March 18, 2014
Page Count: 384
Review Posted Online: May 6, 2014
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.Still, a respectful and absorbing page-turner.
Pub Date: Feb. 3, 2015
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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