A biblio bias-cut whose shimmer is welcome despite its optimistic shortsightedness.
Once upon a time, there was a prince who felt fabulous only in exquisite gowns.
Prince Sebastian’s parents, like fleets of fairy-tale progenitors before, are myopically focused on getting their kid hitched. Rendezvous with potential brides rattle Sebastian, and not just because he’s only 16 and averse to icky matrimony. It’s because he dresses in couture gowns and is petrified of facing what a reveal would mean to his parents and potential wife. Weary of donning his mother’s duds, he hires Frances, a seamstress with an avant-garde flair. Their friendship quickly evolves as she harnesses her talent and he becomes empowered to make public appearances as his alter ego, Lady Crystallia. When Lady Crystallia becomes a fashion plate du jour—and secrecy verges on revelation—Sebastian and Frances are at a crossroads: can they remain true to themselves, each other, and the world? Wang’s linework has as much movement and play as Crystallia’s frocks, and her palette seamlessly wanders from petit-four brights to the moody darks of an ombre swatch. This is preindustrial Paris, so the cast is white, with the only otherness being class differentiation. Sebastian’s story shouldn’t be taken as a testament to how easy it is for one to reveal one’s true self to one’s parents, particularly if one is LGBTQIAP: Sebastian meets acceptance far too easily, particularly for such a public figure in such a conservative age. Sebastian’s summation of Frances’ aesthetic underscores the ultimate blueprint: fantasy and drama.
A biblio bias-cut whose shimmer is welcome despite its optimistic shortsightedness. (Historical graphic fiction. 12-18)Pub Date: Feb. 13, 2018
ISBN: 978-1-62672-363-4
Page Count: 290
Publisher: First Second
Review Posted Online: Nov. 12, 2017
Kirkus Reviews Issue: Dec. 1, 2017
A warm, sweet, lovely tale of a world readers will want to live in.
In a not-so-distant future where changing one’s physical features is as easy as purchasing nanobot mods, Sunati falls for Austen, a girl who always looks the same.
Since Austen never changes, Sunati admires what she assumes is her bravery and confidence. As Sunati and Austen chat more, Austen bluntly asks Sunati if she only wants to get to know her more because of her medical condition, which prevents her from using mods. As they gradually grow closer, Sunati learns how to interact more respectfully with those who have overactive immune systems as well as to share her feelings more honestly. Austen, in turn, learns to trust Sunati. This beautifully illustrated slice-of-life tale that shows two young women of color getting to know each other and creating a relationship is so warm and charming that readers will hardly notice how much they are learning about how to better interact with folx who are different from themselves and the importance of not making assumptions. The story also successfully weaves in agender, genderfluid, and asexual characters as well as the subjects of parenting and colorism into the natural arc of Sunati and Austen’s developing story. The soft, romantic artwork evokes hazy watercolors. The speech bubbles are predominantly pink and blue, and the varied layout will maintain readers’ interest.
A warm, sweet, lovely tale of a world readers will want to live in. (Graphic romance. 12-18)Pub Date: May 19, 2020
ISBN: 978-1-4998-1110-0
Page Count: 256
Publisher: Little Bee Books
Review Posted Online: March 24, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
PERSPECTIVES
Hinds adds another magnificent adaptation to his oeuvre (King Lear, 2009, etc.) with this stunning graphic retelling of Homer’s epic. Following Odysseus’s journey to return home to his beloved wife, Penelope, readers are transported into a world that easily combines the realistic and the fantastic. Gods mingle with the mortals, and not heeding their warnings could lead to quick danger; being mere men, Odysseus and his crew often make hasty errors in judgment and must face challenging consequences. Lush watercolors move with fluid lines throughout this reimagining. The artist’s use of color is especially striking: His battle scenes are ample, bloodily scarlet affairs, and Polyphemus’s cave is a stifling orange; he depicts the underworld as a colorless, mirthless void, domestic spaces in warm tans, the all-encircling sea in a light Mediterranean blue and some of the far-away islands in almost tangibly growing greens. Don’t confuse this hefty, respectful adaptation with some of the other recent ones; this one holds nothing back and is proudly, grittily realistic rather than cheerfully cartoonish. Big, bold, beautiful. (notes) (Graphic classic. YA)
Pub Date: Oct. 1, 2010
ISBN: 978-0-7636-4266-2
Page Count: 256
Publisher: Candlewick
Review Posted Online: Sept. 15, 2010
Kirkus Reviews Issue: Oct. 1, 2010
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