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ETCHED ON ME

With its deft plotting, rich characterization and often hilariously poignant dialogue, Crowell’s (Letting the Body Lead,...

A courageous survivor of sexual abuse, Lesley Holloway has always cooperated with social services. That is, until they take her newborn daughter away from her and she has to battle to win her back.

After years of being dragged into the hall closet to be raped by her own father, Lesley runs away. From that moment, she is thrust into the world of child protective services, a world filled with tremendously helpful individuals but also riddled with the very bureaucracy that will rip away Lesley’s hard-won independence again and again. Her case worker, Francesca, tirelessly works to place Lesley in safe homes, although the best she can offer is a hostel populated by skeevy men. Essentially rejected by her mother for bringing shame upon the family, Lesley finds the courage to work at a diner and attend a posh school, where she is reminded daily of her status as a scholarship student. Her English teacher, Mrs. Kremsky, or Miss, becomes Lesley’s guardian angel. Driving her to and from school, offering morning lattes, Miss gradually gains Lesley’s trust. Lesley, though, has farther to fall, as she begins cutting herself to release her emotional pain. The day after her father’s trial, she accidentally cuts too deeply and winds up in a rehab center, arranged by Miss with the assistance of Francesca. Undergoing therapy, Lesley meets her first love, Clare, yet their sweet romance is doomed by Clare’s religiously fanatic parents and the center’s rules. Soon, Lesley is tossed out. With the help of Miss and her family, Lesley slowly claws her way out of the hellhole of PTSD. When Lesley finds herself pregnant, she naively reveals her past troubles to her midwife, unwittingly unleashing her own hell.

With its deft plotting, rich characterization and often hilariously poignant dialogue, Crowell’s (Letting the Body Lead, 2002, etc.) latest is a gem.

Pub Date: Feb. 18, 2014

ISBN: 978-1-4767-3906-9

Page Count: 320

Publisher: Washington Square/Pocket

Review Posted Online: Jan. 6, 2014

Kirkus Reviews Issue: Jan. 15, 2014

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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