FIT FOR THE GODS

Greco-Roman epics live again in this intriguing anthology of retellings from diverse authors.

In the introduction to their first anthology as an editing duo, Northington and Williams invoke childhoods spent with d’Aulaire’s Book of Greek Myths, and that affection is clearly shared with the 15 writers who transform stories of the Greek and Roman pantheons across lines of race, gender, sexuality, and genre in this collection, with mixed but often captivating results. Many of the strongest entries take the biggest risks regarding style and setting and prioritize examination of a theme over strict adherence to every plot point in the source material. Sarah Gailey’s “Wild To Covet,” which has a kinship with the stranger interludes in the Coen Brothers’ O Brother, Where Art Thou? places Thetis’ journey from wild girl to wife and mother of Achilles (here, “Esau”) in American folklore. With admirably efficient storytelling and evocative prose, Gailey interrogates who and what is untameable. Who and what is capable of love is at the heart of another standout: Alyssa Cole’s poignant and richly imagined SF Hades and Persephone reinvention, “Stasis (Bastion in the Spring).” In a nice editorial touch, both “Stasis” and the stunning story that follows it, Taylor Rae’s “The Eagles at the Edge of the World,” concern themselves with the aftermaths of climate apocalypses—in the latter, a girl who’s one-quarter Kumeyaay is our Aeneas, attempting to find a new homeland with her mother in a flooded world. While not all the contributions are of the same caliber, the anthology ends in a blaze of glory thanks to Maya Deane’s incandescent “No Gods, No Kings,” which chronicles the Amazon queen Murina’s contribution to the fall of the Titans.

A collection of impressive breadth that will reward the mythically minded.