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THE OFFICE BFFS

TALES OF THE OFFICE FROM TWO BEST FRIENDS WHO WERE THERE

A smart, sweet look from inside The Office about how the show spawned enduring friendships and unexpected careers.

Pam and Angela combine forces in a charming book about the massively popular TV show.

Fischer and Kinsey, co-hosts of the Office Ladies podcast, are engaging storytellers, and their often hilarious escapades as best friends make this joint tale fascinating for even the most casual fan of The Office. The chapter about the “Death Bus” episode (directed by Bryan Cranston), which nearly killed the entire cast, is laugh-out-loud funny, and Kinsey sums it up appropriately: “Pie mends all things, including near carbon monoxide poisoning.” Mostly employing a dialogue format, the authors walk the line between a behind-the-scenes look at the landmark comedy and the desire to maintain the secrets they share with their friends. (That said, many readers would love to hear the R-rated “master class in 1980s Hollywood gossip” that the authors learned from James Spader.) For hardcore Office fans, Fischer provides personal insight into some of her—and the show’s—most important scenes, including her wedding and what she said to Steve Carell in their final scene together before he left the show. Kinsey discusses the fascinating mechanics of hiding her pregnancy on screen and how she and Rainn Wilson (Dwight Schrute) navigated their first make-out scene. In addition to numerous insider insights about the creation and filming of the episodes, Fischer and Kinsey reveal much more about their friendship, their decision to launch their podcast—and a media company—together, as well as the struggles of being working mothers. Fischer writes about how she had to return to the show much faster than she wanted to after the birth of her son because, “in our business, there is no paid maternity leave.” Ultimately, the authors manage to make everyone feel like they are also one of their BFFs.

A smart, sweet look from inside The Office about how the show spawned enduring friendships and unexpected careers.

Pub Date: May 17, 2022

ISBN: 978-0-06-300759-8

Page Count: 240

Publisher: Dey Street/HarperCollins

Review Posted Online: March 28, 2022

Kirkus Reviews Issue: April 15, 2022

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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