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THE VICTORIA’S SECRET CATALOG NEVER STOPS COMING

AND OTHER LESSONS I LEARNED FROM BREAST CANCER

A survivor’s story that is both upbeat and candid.

Magazine writer Nash (Altared States, not reviewed) shares her experience of breast cancer.

The author was in her mid-30s, married with two young daughters, when she learned that a close friend had lung cancer. She quickly became convinced that a sore spot in her own left breast must also be caused by cancer. It was not, but the mammogram did show suspicious calcifications in her right breast. Nash writes frankly and movingly about the emotion-packed period that followed: she had a second mammogram; a very painful biopsy revealed that she indeed had cancer; and she underwent a lumpectomy that was supposed to solve everything. It didn’t. When told that she would need a modified radical mastectomy, Nash began exploring her various options for breast reconstruction. After meeting women who let her see and touch their reconstructed breasts, she chose the “free-flap” procedure, which utilizes abdominal skin and tissue and provides relatively normal-looking results but requires a considerable recovery period. Her description of successful reconstruction will make this account of surviving breast cancer especially comforting to many women. Nash has distilled her story into 13 short chapters, each of which is called a “lesson” and opens with a one-paragraph summary of the message she wants to pass along to others. These range from admonishments to trust your instincts (i.e., if you think you have cancer, keep pushing until you find out for sure), to reminders that courage takes unexpected forms, bad news needs sharing, caretakers are only human and may not behave as you need them to, and the culture’s pervasive images of beautiful bodies cannot be ignored. As Nash’s story ends, she is busy counseling other women who are facing mastectomies, showing them by example that “cancer can make you strong and courageous and peaceful and pleased.”

A survivor’s story that is both upbeat and candid.

Pub Date: Oct. 1, 2001

ISBN: 0-7432-1979-1

Page Count: 160

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2001

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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