Once upon a time, there was a girl named Tess who could see the future.
She was very good at pretending she was like everyone else. But one day, the facade crumbled, and everyone stopped talking to her. Her only friend was Tabitha, the most unpopular girl in school. Five years later, life still sucks, but it’s bearable. Tess has Tabitha, their regular viewings of Sixteen Candles, and her spot on the track team. But when frizzy-haired, chubby Tabitha returns from summer vacation with a shiny mane, a thinner body, and previously unattainable popularity, it’s suddenly as though they were never friends. When Tabitha dies, Tess feels intense guilt and shame for not warning her former friend that she dreamed of her coming end, and Tess finds herself at the center of the mystery surrounding Tabitha’s death. A subplot dealing with Tess’ mother’s severe mental illness collides with the primary plot in a satisfying but slightly sappy conclusion. Unfortunately, Tess makes repeated, unchallenged references to her “crazy” mother, undercutting the book’s treatment of the condition. The book is titled after the Thompson Twins’ tune from the end credits of Sixteen Candles, and like most of John Hughes’ films, it seems Yabroff’s novel is mostly devoid of people of color, Tess’ Turkish heritage (the source of her gift) generations distant.
A lukewarm work of realism layered with elements of fantasy and mystery. (Fiction. 12-18)Pub Date: Jan. 18, 2017
ISBN: 978-1-5072-0002-5
Page Count: 272
Publisher: Merit Press
Review Posted Online: Nov. 23, 2016
Kirkus Reviews Issue: Dec. 1, 2016
Categories: TEENS & YOUNG ADULT SOCIAL THEMES
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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
27
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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 4, 2016
Kirkus Reviews Issue: May 15, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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Engrossing, contemplative, and as heart-wrenching as the title promises.
40
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What would you do with one day left to live?
In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.
Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).Pub Date: Sept. 5, 2017
ISBN: 978-0-06-245779-0
Page Count: 384
Publisher: HarperTeen
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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