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TRINIDAD HEAD, CA

A smoothly written tale about deep faith leading to love and self-understanding, hampered by sometimes-unsympathetic...

In Clark’s debut romance novel, a young widow, bolstered by her religious faith, discovers new love and finds out what jealousy can drive people to do.

Annie MacKerricher, a 33-year-old scarf designer, is widowed when Jorge Reyes, a member of a local gang, robs and kills her husband, Sean, during his jog in Manhattan Beach, California. As Annie awaits Reyes’ trial to start, she begins coming to grips with how she felt invisible in her marriage—much like her grandmother’s teapot had been “out of sight” in her own home. On a trip to California’s North Coast with her sister and her family, she sees Trinidad Head, a massive outcropping off the coast, which leads her to the nearby town of Trinidad. There, she experiences a sense of déjà vu, and her eyes lock in mysterious recognition with a “thirtyish,” “handsome fisherman/artist” named Forrest Hammond. Trinidad makes her feel a “desire to rediscover herself.” After she obtains closure at Reyes’ sentencing, she moves to the new town, and just in time—because Reyes has marked her for revenge. However, even his threat pales next to the seething jealousy of Forrest’s former flame, the beautiful, red-haired Riatta Lutz. Meanwhile, Annie’s faith sustains her through these troubled waters. Throughout, Clark’s prose is as fluid as the setting: “Several sailboats were out with their colorful sails unfurled, gracefully gliding through the channel on their way out to sea.” Although the slow-building romance between Forrest and Annie is the story’s focus, the core theme of the work is “a woman’s courage to fail in life and begin anew.” The scenes of intimacy are chaste; Forrest feels “electricity surge between them” as he helps Annie undress after she’s injured, but for Annie, such passion can only exist in marriage. Some readers may find that Annie’s harsh judgment sounds a sour note: “I see a soul presently unredeemable,” she says to Reyes at his sentencing. She also aims her moral certitude at Forrest, just as they are beginning their relationship, which may cause some to lose sympathy for her.

A smoothly written tale about deep faith leading to love and self-understanding, hampered by sometimes-unsympathetic characterization.

Pub Date: Sept. 15, 2017

ISBN: 978-1-5484-0470-3

Page Count: 330

Publisher: CreateSpace

Review Posted Online: Sept. 29, 2017

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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