Appeal may be limited to those children with “eyes as wide as the Texas skies.” (Picture book. 4-6)
A late-19th-century U.S. Army fort is the setting for this retelling of the Nutcracker ballet.
Centennia, a white girl with sausage curls, and her freckled brother, Caleb, are eagerly awaiting a Christmas party at Fort Davis, Texas. The guests at the party include Col. Grierson, who gives Centennia a wooden nutcracker. Jealous, Caleb damages the nutcracker. In the middle of the night, Centennia returns to the parlor, where suddenly the tree, the nutcracker, and all of the toys begin to grow. Centennia is nearly overpowered by rattlesnakes, but the swashbuckling nutcracker comes to her rescue. He magically becomes a handsome soldier who takes Centennia to a fantasy land of Texas treats. There she meets the “Bluebonnet Fairy” and witnesses the “Dance of the Mockingbirds,” square-dancing armadillos, and the “Waltz of the Wildflowers.” Pedantic storytelling and undistinguished illustrations make this an unexceptional book. An author’s note with facts about Fort Davis and the historical figure of Col. Grierson, who began the regiment of the so-called buffalo soldiers, provides background for the presence at the fort of two nonwhite characters, a soldier and a little boy. It does not, however, address the pueblo within which the dances are performed.
Appeal may be limited to those children with “eyes as wide as the Texas skies.” (Picture book. 4-6)Pub Date: Oct. 1, 2018
ISBN: 978-1-4556-2331-0
Page Count: 32
Publisher: Pelican
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.
Ferry and the Fans portray a popular seasonal character’s unlikely friendship.
Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-247576-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
A laugh-inducing Halloween read-along.
The Crayons return in time for Halloween as vampire-costumed Purple coaches the dressed-up wax pack through its first trick-or-treating venture.
It takes five houses’ worth of door-knocks for this skeleton crew of seven to perfect the protocol, with enough outlandish flubs to generate giggles in Halloween-savvy preschoolers. At Door No. 1, Orange, dressed as a jack-o’-lantern, says, “Give us your candy, Lady.” At the next, the gang, encouraged by Purple to “think holiday,” responds with an impressive array of misguided greetings, including “Merry Christmas!” and “Happy American Cheese Month!” Later, White, levitating impressively in a ghost costume, overreacts to Halloween’s “scary” aspect by overwhelming residents with a “BOO!” Peach, unnamed here but recognizably wrapperless from the initial title, exuberantly (and inappropriately) repeats, “I’m naked!” Finally, the troupe perfects its treat-inducing line, though a certain ghost cannot resist an ad lib. This excursion, like many of the holiday-themed Crayon books, has a smaller trim size, a lower price point, and far less complexity than Daywalt and Jeffers’ first two Crayon titles. Still, the pair deftly let young children in on the jokes through funny, hand-lettered dialogue and the visually telegraphed, all-in haplessness of this well-branded band. (This book was reviewed digitally.)
A laugh-inducing Halloween read-along. (Picture book. 4-6)Pub Date: Sept. 6, 2022
ISBN: 978-0-593-62102-8
Page Count: 32
Publisher: Philomel
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
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