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KILL THE QUEEN

From the Crown of Shards series , Vol. 1

Original worldbuilding suffers against a cartoonish villain and a plot that must continue straining to support its own...

Fantasist Estep (Venom in the Veins, 2018, etc.) debuts a new series with a tale of a young noblewoman’s coming-of-age against a backdrop of assassination, magic, and fate.

Seventeenth in line for the throne, the orphaned Everleigh (or Evie) is a footnote at Queen Cordelia's magic-filled court. She has learned to avoid the political infighting by being accommodating and unnoticed—which is made easier by her apparent powerlessness, as her magic is only a heightened sense of smell. Evie is thrust into any dull but royal task, such as baking an ambassador's ceremonial dessert or learning a formal dance of friendship. Of course, as Evie is a protagonist, such skills will turn out to be useful after all (in increasingly contrived fashion), and Evie will be revealed as magically powerful. Vasilia, Cordelia's heir, assassinates not merely her mother, but the entire royal family, in fine villainous overkill. Evie survives thanks to a secret immunity to magic, and within 24 hours has managed to find shelter with the country's most prestigious gladiator troupe, where she apparently learns to fight (never mind she managed to kill four trained guards during the original massacre and has killed before), stand up for herself, and make friends. Most of Evie's troubles are self-created, as the plot demands that she foolishly keep lying to her friends about her identity. Truth does finally come out, just before Evie's ability to dance improbably saves everyone's lives. After that, it's no great stretch to think that Villainous Vasilia is hubristic enough to allow a troupe of fully armed gladiators into her presence, allowing Evie to achieve her destiny (handily foretold in one of those children's-rhymes-that's-really-a-prophecy).

Original worldbuilding suffers against a cartoonish villain and a plot that must continue straining to support its own premises.

Pub Date: Oct. 2, 2018

ISBN: 978-0-06-279761-2

Page Count: 480

Publisher: Harper Voyager

Review Posted Online: Aug. 20, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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NINTH HOUSE

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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