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CLUTTER

AN UNTIDY HISTORY

A keen assessment of one of society’s secret shames and its little-understood consequences.

A veteran journalist explores our messy lives.

In this illuminating sociological study, Howard, a former contributing editor and columnist for the Washington Post, begins with the discovery that her mother had been living for years in a hoarder’s den. “Squalor and chaos have infiltrated every room—upstairs, downstairs, attic, basement,” she writes. “No space has been left untouched.” Howard then delves into the sordid history of clutter, looking at the intriguing case study of Homer and Langley Collyer, whose Harlem brownstone, in the 1920s and ’30s, “became a death trap of neck-high junk, including hundreds of thousands of newspapers.” In 1947, Langley was crushed under the clutter; Homer, “blind and bedridden and dependent on his brother, starved to death.” The author also explores how industrialization helped create the birth of consumer culture as well as the complex psychology of overconsumption in modern-day capitalism. Howard’s research is thorough, and the prose is clear, well written, and inviting rather than being judgmental, even if she’s exploring complex issues such as activism, entrepreneurship, and the potential impact of clutter on the future of the planet. In addition to her historical narrative and contemporary analysis, the author includes commentary from a variety of interesting characters, including New Yorker and Kirkus Prize–winning cartoonist Roz Chast, British author Matt Haig (“there is, in the current world, an excess of everything”), and even Oscar Wilde: “Have nothing in your house that is not useful or beautiful; if such a rule were followed out, you would be astonished at the amount of rubbish you would get rid of.” Like George Carlin’s infamous riff on “A Place for My Stuff,” Howard’s exploration of one dark corner of consumer culture is quick-witted and insightful—and, appropriately for the subject, refreshingly concise. The author also discusses the phenomenon of the “mild-mannered Japanese organizing guru” Marie Kondo.

A keen assessment of one of society’s secret shames and its little-understood consequences.

Pub Date: Sept. 1, 2020

ISBN: 978-1-948742-72-6

Page Count: 192

Publisher: Belt Publishing

Review Posted Online: June 29, 2020

Kirkus Reviews Issue: July 15, 2020

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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GRIEF IS FOR PEOPLE

A marvelously tender memoir on suicide and loss.

An essayist and novelist turns her attention to the heartache of a friend’s suicide.

Crosley’s memoir is not only a joy to read, but also a respectful and philosophical work about a colleague’s recent suicide. “All burglaries are alike, but every burglary is uninsured in its own way,” she begins, in reference to the thief who stole the jewelry from her New York apartment in 2019. Among the stolen items was her grandmother’s “green dome cocktail ring with tiers of tourmaline (think kryptonite, think dish soap).” She wrote those words two months after the burglary and “one month since the violent death of my dearest friend.” That friend was Russell Perreault, referred to only by his first name, her boss when she was a publicist at Vintage Books. Russell, who loved “cheap trinkets” from flea markets, had “the timeless charm of a movie star, the competitive edge of a Spartan,” and—one of many marvelous details—a “thatch of salt-and-pepper hair, seemingly scalped from the roof of an English country house.” Over the years, the two became more than boss and subordinate, teasing one another at work, sharing dinners, enjoying “idyllic scenes” at his Connecticut country home, “a modest farmhouse with peeling paint and fragile plumbing…the house that Windex forgot.” It was in the barn at that house that Russell took his own life. Despite the obvious difference in the severity of robbery and suicide, Crosley fashions a sharp narrative that finds commonality in the dislocation brought on by these events. The book is no hagiography—she notes harassment complaints against Russell for thoughtlessly tossed-off comments, plus critiques of the “deeply antiquated and often backward” publishing industry—but the result is a warm remembrance sure to resonate with anyone who has experienced loss.

A marvelously tender memoir on suicide and loss.

Pub Date: Feb. 27, 2024

ISBN: 9780374609849

Page Count: 208

Publisher: MCD/Farrar, Straus and Giroux

Review Posted Online: Sept. 19, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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