A well-meaning but ultimately flawed offering.
A fictionalized account of a wildlife rescue program in Michigan that places orphaned cubs with mother bears.
This real-life program is presented fictionally, through the point of view of a presumably adopted child. A boy named Braden narrates as he and his sister, Finley, accompany their father in his work as a wildlife biologist with this program. First they collar a mother bear so they can track and find her if and when they find an orphaned cub. Braden and Finley hold her cubs while their father and other adults collar her. When an orphaned cub is located later, they accompany their father again to track the sow and trick her into accepting the baby as her own. While this process is fascinating, the fact that the children are illustrated to appear Asian (Finley) and black (Braden) while their dad appears white could raise uneasy feelings among adoptees who read this family as a transracial adoptive family. Are readers to understand this text as creating a parallel between human adoption and the cub adoption program? If so, duping the mother bear into taking in the cub makes for a troubling association with human adoption, and the fact that most human adoptees are not orphaned by their biological parents undermines the parallel. Backmatter includes information on black bears’ life cycle, hibernation, a Q-and-A with a bear biologist, and further facts about bears. A Spanish-language edition publishes simultaneously in paperback.
A well-meaning but ultimately flawed offering. (bibliography) (Picture book. 4-6)Pub Date: Sept. 10, 2018
ISBN: 978-1-60718-726-4
Page Count: 32
Publisher: Arbordale Publishing
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
Too many bugs, figuratively.
Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.
The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.
Too many bugs, figuratively. (Picture book. 4-6)Pub Date: Nov. 10, 2015
ISBN: 978-84-16147-00-7
Page Count: 32
Publisher: Cuento de Luz
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
Share this feel-good title with those who love art and those who can appreciate the confidence-building triumph of solving a...
Reynolds returns to a favorite topic—creative self-expression—with characteristic skill in a companion title to The Dot (2003) and Ish (2004).
Marisol is “an artist through and through. So when her teacher told her class they were going to paint a mural…, Marisol couldn’t wait to begin.” As each classmate claims a part of the picture to paint, Marisol declares she will “paint the sky.” But she soon discovers there is no blue paint and wonders what she will do without the vital color. Up to this point, the author uses color sparingly—to accent a poster or painting of Marisol’s or to highlight the paint jars on a desk. During her bus ride home, Marisol wonders what to do and stares out the window. The next spread reveals a vibrant departure from the gray tones of the previous pages. Reds, oranges, lemon yellows and golds streak across the sunset sky. Marisol notices the sky continuing to change in a rainbow of colors…except blue. After awakening from a colorful dream to a gray rainy day, Marisol smiles. With a fervent mixing of paints, she creates a beautiful swirling sky that she describes as “sky color.” Fans of Reynolds will enjoy the succinct language enhanced by illustrations in pen, ink, watercolor, gouache and tea.
Share this feel-good title with those who love art and those who can appreciate the confidence-building triumph of solving a problem on one’s own—creatively. (Picture book. 4-6)Pub Date: Aug. 28, 2012
ISBN: 978-0-7636-2345-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
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