At 17, Muiriel needs to make it through one more placement, then she will age out of foster care and into state-sanctioned self-sufficiency.
Muir is White, woke, and keenly aware that her experience of not knowing any family from birth isn’t representative of most foster kids. She meticulously follows the wisdom of her hero and namesake, John Muir, and keeps her baggage light. However, it quickly becomes apparent that her new temporary home will challenge her resolute independence. The island forest beckons to her. Francine, her latest foster mother, is insightful and socially aware. Kira, a heavily tattooed artist, is brimming with best friend potential. And then there’s Sean, the beautiful boy who understands that the world can be terrible and wonderful at the same time. As these people show up for Muir, the survival strategy she clings to—don’t get attached—diminishes in validity. This is terrifying; Muir has only ever learned to depend on herself. The trauma she contends with is not perpetrated by a villain; it is the slow boil of a childhood in which inconsistency has been the only constant. The power of relationship—both those experienced and those denied—is expertly explored throughout this novel with nuance and humanity. The central characters are immensely likable, creating a compelling read sure to leave an imprint. Most main characters are White; Kira is Japanese American.
An exceptional addition to the coming-of-age canon. (author’s note) (Fiction. 14-18)Pub Date: Jan. 21, 2020
ISBN: 978-0-553-53771-0
Page Count: 336
Publisher: Random House
Review Posted Online: Oct. 8, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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BOOK REVIEW
BOOK REVIEW
Don’t look over sea or under stone, this is the fantasy novel for all once and future fans of suspense-filled storytelling.
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Sixteen-year-old Black whiz kid Bree Matthews battles grief and demonic forces on her college campus.
After her mother dies in an accident, Bree begins a residential program for enterprising teens at her mother’s alma mater and, soon after her arrival, witnesses a magical attack that triggers hidden memories about the evening her mother was killed. Haunted by the fact that their final conversation was an argument, Bree begins a redemptive quest to uncover the connection between her mother’s death and the university’s secret society, the Order of the Round Table, joining their ranks as an initiate and unwittingly stumbling into a centuries-old supernatural war. While competing in the tournament that determines entry to the society, Bree discovers the truth about her heretofore unknown magical abilities, unwinding a complex history that showcases the horrors chattel slavery in the American South perpetuates on the descendants of all involved. Push through clunky expositions and choppy transitions that interrupt the cohesion of the text to discover solid character development that brings forward contemporary, thoughtful engagement with the representation, or lack thereof, of race in canonical Arthurian lore and mythologies. Representation of actualized, strong queer characters is organic, not forced, and so are textual conversations around emotional wellness and intergenerational trauma. Well-crafted allusions to established legends and other literary works are delightful easter eggs.
Don’t look over sea or under stone, this is the fantasy novel for all once and future fans of suspense-filled storytelling. (author's note) (Fantasy. 14-18)Pub Date: Sept. 15, 2020
ISBN: 978-1-5344-4160-6
Page Count: 512
Publisher: McElderry
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
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He’s in remission from the osteosarcoma that took one of his legs. She’s fighting the brown fluid in her lungs caused by tumors. Both know that their time is limited.
Sparks fly when Hazel Grace Lancaster spies Augustus “Gus” Waters checking her out across the room in a group-therapy session for teens living with cancer. He’s a gorgeous, confident, intelligent amputee who always loses video games because he tries to save everyone. She’s smart, snarky and 16; she goes to community college and jokingly calls Peter Van Houten, the author of her favorite book, An Imperial Affliction, her only friend besides her parents. He asks her over, and they swap novels. He agrees to read the Van Houten and she agrees to read his—based on his favorite bloodbath-filled video game. The two become connected at the hip, and what follows is a smartly crafted intellectual explosion of a romance. From their trip to Amsterdam to meet the reclusive Van Houten to their hilariously flirty repartee, readers will swoon on nearly every page. Green’s signature style shines: His carefully structured dialogue and razor-sharp characters brim with genuine intellect, humor and desire. He takes on Big Questions that might feel heavy-handed in the words of any other author: What do oblivion and living mean? Then he deftly parries them with humor: “My nostalgia is so extreme that I am capable of missing a swing my butt never actually touched.” Dog-earing of pages will no doubt ensue.
Green seamlessly bridges the gap between the present and the existential, and readers will need more than one box of tissues to make it through Hazel and Gus’ poignant journey. (Fiction. 15 & up)Pub Date: Jan. 10, 2012
ISBN: 978-0-525-47881-2
Page Count: 272
Publisher: Dutton
Review Posted Online: Jan. 10, 2012
Kirkus Reviews Issue: Jan. 15, 2012
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