A beautiful portrayal of a Cuban American family during a crossroads summer.
A moving historical novel about Texan siblings Elena and Joaquin Finney and their alcoholic, controlling mother, Caridad.
It’s 1986, and Elena is excited about the summer, the only time of the year her mother allows her some degree of freedom, as she gets to babysit for the holidaying Callahans. It’s the summer after high school graduation for Joaquin, and his future is wide open if only he can find the courage to leave Mariposa Island—and his family—behind. The narrative alternates between Elena and Joaquin in 1986 with flashbacks to Caridad’s past as the daughter of wealthy white Cubans living through the Cuban revolution and, later, life as a lonely teen refugee in Texas. Having lost her family, her language, and her history, Caridad struggled to adapt to a new life with a working-class foster family. Meanwhile, in 1986, Joaquin and Elena find different strategies to survive in a household of fear and manipulation. The daughter of a Cuban refugee, Mathieu (Moxie, 2017, etc.) empathetically delves into thorny questions of identity, trauma, abuse, choices, family bonds, and the lengths people will go to keep a measure of control in their lives. With a touch of romance, this gentle, multilayered novel comes with a dash of the unexpected thanks to the deeply unreliable nature of its narrators.
A beautiful portrayal of a Cuban American family during a crossroads summer. (author’s note) (Historical fiction. 14-adult)Pub Date: Sept. 17, 2019
ISBN: 978-1-62672-633-8
Page Count: 352
Publisher: Roaring Brook Press
Review Posted Online: June 17, 2019
Kirkus Reviews Issue: July 15, 2019
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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