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A spiritual guide for you and your horse

Like-minded readers may find this spiritual approach useful.

In this guidebook, a spiritual healer offers advice for helping owners and horses live better lives.

Debut author McCann, who has been healing people and horses for 10 years, offers this book as “a journey for you and your horse to achieve peace and love.” She begins by explaining the reciprocity between human emotions and a horse’s condition: “He will react to pain, discomfort, stress, anxiety or depression in your energy field.” McCann underlines that owners should first call a veterinarian if a horse is unwell, but “we must also look at the cause.” For example, “If your horse has a condition with its heart, ask yourself how much you are not allowing love into your life.” McCann describes her experience with energy healing (usually but not exclusively hands-on) and some cases she’s worked on as an energy healer. She explains how to become more connected with one’s inner guidance through techniques such as meditation, a balanced diet, moderate exercise, and self-acceptance. Twelve monthly guided meditations and affirmations are included. McCann’s more common-sense recommendations might be seen in any wellness guide, and horse trainers have long known that horses react to human emotions. Her preference for owners being present at healings suggests that she’s treating stressed-out humans, too, not just their horses. McCann’s proof is anecdotal, while possible objections are swept away. For example, some owners and horses are meant to be together: “horses connect with the real you, the one that lies inside you.” However, she writes, “Not everyone will experience the connection between themselves and a horse, simply because they were not chosen by God to embrace his divine creation.” As for skeptics, the book’s message “won’t be heard by everyone.” Nevertheless, McCann’s caring and empathy are evident, and whether or not you believe in spiritual healing, surely there is nothing wrong with owners working to become more attuned to their unhappy horses.

Like-minded readers may find this spiritual approach useful.

Pub Date: Jan. 25, 2015

ISBN: 978-1499763607

Page Count: 106

Publisher: CreateSpace

Review Posted Online: March 27, 2015

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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