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THE EXPLOSIONIST

Adult novelist and scholarly author Davidson crafts a YA alternate-history/murder-mystery romp—and mostly pulls it off. In a world in which Napoleon won Waterloo, it’s 1939 and the Federated States of Europe and the New Hanseatic League have concluded one war but may be poised for another. Sixteen-year-old Sophie finds herself in the midst of political intrigue after a medium delivers a cryptic message and then turns up dead. The medium’s death is just the start: IRYLNS, founded by Sophie’s great-aunt and guardian, transforms girls into perfect secretaries via a sinister process; Sophie’s chemistry teacher may be masterminding suicide bombers; and spirits seem set on communication. The world-building sometimes falters and thinking too hard about the changes may confuse readers (how did Freud become a radio personality, and why is he fixated on Daedalus?), but despite the flaws, who can resist a spunky heroine, political machinations and a disembodied Alfred Nobel? Readers willing to dive in will be eager for the sequel. (author’s note) (Fantasy/alternate history. 13 & up)

Pub Date: July 1, 2008

ISBN: 978-0-06-123975-5

Page Count: 464

Publisher: HarperTeen

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2008

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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THE KILLING CODE

A deftly balanced mix of history, intrigue, and romance.

Against the backdrop of World War II, four young women codebreakers put their minds together to find a serial killer.

It’s early 1943, and Arlington Hall, a one-time girls’ school in Virginia, is now the site of a covert intelligence facility where an 18-year-old former maid secretly assumes the new identity Kit Sutherland and becomes a codebreaker. A night out turns deadly when one of their own is murdered, and Kit stumbles across her body in the bathroom. Kit, roommate Dottie, and Moya, the supervisor of their floor, work alongside Violet, one of the Black girls from the segregated codebreaking unit, to bring the culprit to justice. As the budding friends turn their sharp minds and analytical abilities to covertly investigating what turns out to be a series of murders, Kit struggles to keep her own dangerous secret—and her attraction to Moya—under wraps. Meanwhile, Moya will do everything in her power to help her girls while trying not to fall in love with Kit. The novel deftly addresses questions of inequality across class, race, and sexuality in a story that combines well-researched historical background with a nifty whodunit, a strong focus on friendship, and an empowering queer romance. The narrative follows Kit and Moya, making them the better developed characters in the largely White cast. An author’s note includes many resources about the real women whose behind-the-scenes espionage work informed this story.

A deftly balanced mix of history, intrigue, and romance. (Historical thriller. 14-18)

Pub Date: Sept. 20, 2022

ISBN: 978-0-316-33958-2

Page Count: 384

Publisher: Little, Brown

Review Posted Online: June 7, 2022

Kirkus Reviews Issue: July 1, 2022

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