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NO BOARDING PASSES FOR FLIES

A well-constructed family chronicle that floats above the events of its characters’ lives instead of diving into their...

A young piano prodigy perseveres toward success despite the dysfunctional events of her childhood.

Guest’s debut novel follows the complex social interactions among three generations of a well-off American family. As a toddler, preternaturally mature Sophie becomes a confidante to her father and a mother to her baby sister, Chloe; Sophie’s mother, Clara, is too selfish and incompetent to handle either role. Sophie also secretly deals with two incidents of sexual abuse, which, as she becomes older, cause her to avoid romance and instead throw herself into virtuosic piano playing. Clara disappears for a few years, then returns home to complete the downward spiral after a family tragedy. Sophie’s grandparents on both sides step in to help. Julia, Sophie’s maternal grandmother and an aspiring writer, soon plays a major role in her granddaughter’s life. Sophie’s cousin, Rita, who pursues a more conventional life as a teen, provides an obvious contrast to the charming but isolated Sophie. Guest balances her large cast list with grace, keeping the connections clear and the individual personalities distinct even while failing to choose a strong point-of-view character. The narrative voice is strangely distant, as if someone is sharing the news of the family in well-composed letters meant to be read at leisure, rather than as full-on immersion in the characters’ world. Though the decades-spanning tale focuses on depicting the interactions of strong personalities, the presentation of emotion suffers from telling rather than showing: “It was a very emotional reunion. They were all ashamed and sad for not having much contact with their parents for such a long time.” The author’s foreword states that “neither time nor place are of any consequence”; nevertheless, the novel would benefit from a deeper grounding in the historical context and detail of its vague mid-century American setting, and it might work well explicitly reworked as a period piece.

A well-constructed family chronicle that floats above the events of its characters’ lives instead of diving into their emotional realities.

Pub Date: Feb. 12, 2012

ISBN: 978-1466200715

Page Count: 242

Publisher: CreateSpace

Review Posted Online: March 15, 2012

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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  • New York Times Bestseller

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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