THE RINGER

Salvador Santillano dies on the shabby bedroom floor of a suspected drug lair, shot by Ed O'Fallon, a police officer: a by-the-book SWAT raid—at the wrong address.

More died that day than an innocent man. Gone is reconciliation between the hardworking Santillano and his dedicated wife, Patricia, a nurse. Patricia has been dismayed by Salvador's unbending attachment to his family in Mexico, and his refusal to stop sending money there. The shooting also may have killed O'Fallon's career. It certainly wounded his emotional stability and his family life. And then there is the city of Denver, with Hispanic activists suspecting the shooting was racially motivated. Shank gets into the head of the hard-charging police officer and uncovers his anxieties, and she draws Patricia as a proud woman fearful that her pride contributed to Salvador's death. That death and its aftermath are the bricks of the story, but the game of baseball drives the narrative. Both families are involved in youth leagues. Ed has been relegated to girl's T-ball because he grew too intense coaching boys. However, his sons, Jesse and E.J., play on a championship team, and Salvador's son, Ray, is a coveted pitching prodigy. As the season progresses, Ray, using his mother's maiden name, ends up pitching as a "ringer" for the O'Fallon boys' team in state and regional games. Patricia realizes early that the O'Fallons are involved, but she realizes too that baseball, Salvador's passion and Ray's love, might save her son from being seduced into street-gang life. Ray's precarious hold on his own emotions falters when he discovers the man who killed his father watching from the bleachers. While some may think O'Fallon deserved one more chapter, considering the depth of his transformation, the author carries her novel to a believable conclusion, with skillful tightening of the emotional tension along the way.

Shank's first at-bat as a novelist is a hit.