Readers will find the ancestral versions of the most common produce so markedly different from their grocery-store...

THE HEIRLOOM LIFE GARDENER

THE BAKER CREEK WAY OF GROWING YOUR OWN FOOD EASILY AND NATURALLY

The founders of Baker Creek Heirloom Seed Company present an overview of the heirloom seed movement.

When other kids his age were outdoors playing tag, Jere Gettle spent his childhood combing through seed catalogues. It was then that he first noticed a disturbing trend: Each year an increasing number of seeds were disappearing. To counteract this, he started saving his own seeds. Fast forward two decades later and Gettle, along with wife Emilee, are now the proprietors of one of the country’s most successful heirloom seed companies. Jere, who the New York Times once referred to as “the Indiana Jones of seeds,” has traveled the world in search of the seeds he now makes readily available to consumers. In their debut book, the Gettles show novices how to get away from the standard fare found in their neighbors’ plots and grow truly amazing varieties. Their primer opens with an introduction to heirloom variety seeds and a basic gardening guide before moving on to highlight a variety of backyard favorites. Beginning alphabetically with amaranth and ending with watermelon, the Gettles cover the cultivation, cooking and seed-saving for an extraordinary number of plant varieties.

Readers will find the ancestral versions of the most common produce so markedly different from their grocery-store counterparts that they might think they’ve been farmed on a different planet altogether.

Pub Date: Oct. 1, 2011

ISBN: 978-1-4013-2439-1

Page Count: 256

Publisher: Hyperion

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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