Enough jabs at law and criminal justice to make a point, all packaged in a courtroom drama that’s pure entertainment.
Krakoff’s debut satire delivers the tale of modest kosher butcher Leopold Plotkin, whose simple act of smearing mud on his shop window leads to a grandiose trial.
Leopold’s been socially awkward since he was a little boy in Fettig, capital city of the Republic. Once his family bequeaths him the butcher shop, he’s uncomfortable displaying his snazzy meat-cutting skills to draw customers. So when that fails to boost sales, Leopold opts for covering the display window with mud. Fettigians, however, are upset, seeing the shrouding of a commercial window as an affront to capitalism. Ensuing protests and demonstrations ultimately become so rowdy that authorities arrest Leopold and throw him in the Purgatory House of Detention for instigating the Mud Crisis. And so begins this farcical take on the justice system, in which a criminal trial commences with a lawyer’s “Opening Rant,” and the prosecution must prove “beyond a Nagging Doubt” that the accused is guilty. Leopold faces seemingly impossible odds. Presiding Justice Stifel, for one, is so convinced of Leopold’s guilt that he overrules every objection from the defense—decreeing each one an interruption—and asks the jury for a verdict before a single witness has even testified. Fortunately, Leopold has employee, pal, and chicken plucker Primo Astigmatopolous and childhood friend Ana Bloom on his side, so there may be a slight chance of an acquittal. Krakoff’s satirical slant definitely has bite—Stifel accessing the courtroom via a dumbwaiter, for example, speaks volumes. But the uproarious novel is first and foremost a comedy, rife with absurdist humor. Some of it is even a comedy of errors: public defender Felix Bleifus, unaware that Leopold’s a butcher, is terrified when he spots blood on his potential client’s shirt. “Unlike most of my competitors,” Leopold says, “I do my own slaughtering.” Krakoff, though, still manages a coherent, engrossing plot. His good-natured protagonist is easy to like, and readers will surely be on edge during the trial, particularly because at least one juror, who admits to despising Leopold, has all but convicted him.
Enough jabs at law and criminal justice to make a point, all packaged in a courtroom drama that’s pure entertainment.Pub Date: N/A
ISBN: 978-1-68114-197-8
Page Count: 265
Publisher: Anaphora Literary Press
Review Posted Online: Dec. 14, 2015
Kirkus Reviews Issue: Jan. 15, 2016
Review Program: Kirkus Indie
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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