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PEACE ONE DAY

THE MAKING OF WORLD PEACE DAY

Begging to differ with those who believe that individuals cannot make a difference in the world, actor/filmmaker Gilley describes his own years-long campaign, documented in a feature-length film, to persuade the UN to designate September 21st as an annual World Peace Day. In his relentlessly positive account, corporate support for supplies and travel is there for the asking, world leaders and officials from the Dalai Lama to Kofi Annan personally urge him on, and the difficulties of filming in locales worldwide, of winning over the UN’s bureaucracy, and then of organizing the holiday’s 2002 kickoff, are but momentary bumps in the road. In distinct counterpoint to Gilley’s upbeat narrative, though, Blessen illustrates with jagged, urgent montages of clipped headlines, quotes, slogans, colored pencil portraits and small color photos that, cumulatively, effectively underscore the real need for each and every peace initiative. Rather than close with specific suggestions, Gilley caps his inspirational manifesto with the suggestion that readers find their own creative ways of celebrating the day. Not a bad thought. (Web site) (Nonfiction. 8-10)

Pub Date: Aug. 1, 2005

ISBN: 0-399-24330-5

Page Count: 48

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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MONSTER MATH

Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)

Pub Date: Aug. 1, 1999

ISBN: 0-15-201835-2

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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GINGERBREAD BABY

In a snowbound Swiss village, Matti figures it’s a good day to make a gingerbread man. He and his mother mix a batch of gingerbread and tuck it in the oven, but Matti is too impatient to wait ten minutes without peeking. When he opens the door, out pops a gingerbread baby, taunting the familiar refrain, “Catch me if you can.” The brash imp races all over the village, teasing animals and tweaking the noses of the citizenry, until there is a fair crowd on his heels intent on giving him a drubbing. Always he remains just out of reach as he races over the winterscape, beautifully rendered with elegant countryside and architectural details by Brett. All the while, Matti is busy back home, building a gingerbread house to entice the nervy cookie to safe harbor. It works, too, and Matti is able to spirit the gingerbread baby away from the mob. The mischief-maker may be a brat, but the gingerbread cookie is also the agent of good cheer, and Brett allows that spirit to run free on these pages. (Picture book. 4-8)

Pub Date: Oct. 1, 1999

ISBN: 0-399-23444-6

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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