30SEVEN

A video-game designer discovers that reality can prove more frightening than anything he can imagine in Robinson’s SF/horror hybrid.

It’s been a difficult year for game developer Marcus Lockwood and his teen son, Elias: Marcus’ wife, Isabella, has been murdered by a serial killer with an artistic bent—emphasis on bent (“the way she died isn’t what stood out. It was what . . . what the killer did to her afterwards”). In an effort to heal, the Lockwoods have come to Moose Hollow, a rundown backwoods campground in Maine. While Elias enjoys himself, Marcus starts to wonder who sent the brochure about Moose Hollow that lured them there. There are rumors of UFOs; no one lends much credence to this talk until a starship beams up all the campers. The craft’s occupants, the alien Anunnaki, can control the minds of all the humans—except Marcus. Among those pulled up by the Anunnaki is the serial killer who slayed Isabella, who now sets about murdering humans and aliens alike onboard the ship. An alien named Kova recruits Marcus to hunt the killer. Marcus determines that the human killer is working with an alien accomplice; as the bodies pile up and suspects get eliminated, Marcus must face up to a horrific truth if he hopes to stop the slaughter. Robinson serves up an engaging blend of SF, horror, and mystery—his mashup of alien-invasion and serial-killer tropes makes for a familiar but still fresh read. The alternating perspectives of Marcus and the killer, who stays unidentified until late in the book, are also effective. The novel’s most compelling aspect is the evolution of Marcus, who goes from a man wallowing in grief to one willing to do whatever is necessary to save humanity. His allies are also well-developed, but not to the extent that they can easily be discounted as murder suspects. The author leaves the door open for more volumes featuring these characters; this story serves as an entrancing beginning for such a series.

Everything old seems new again in this twisty, genre-bending thriller.