An endlessly entertaining zombie tale that checks off genre conventions with style.



In this horror romp, a woman’s love for her fiance survives the zombie apocalypse despite his status as one of the undead.

Twenty-one-year-old Rhonda Driscoll was a hairstylist just six months ago, before the Necro-Rabies breakout in North America. Rabid zombies, known as Cujos, devour living humans or turn them into the undead. Rhonda is one of 200 survivors at a military base run by her father and sole remaining family member, Col. Kenneth Driscoll. When the latest mission for gathering supplies and survivors includes her hometown of Levendale, she’s reluctant to join, as it’s where she watched her loved ones die. But it’s also a chance to revisit her home, where she surprisingly finds her husband-to-be, Brad Savini. He’s “Cujo-fied,” but rather than kill him, Rhonda secures Brad with a gag ball and a handy pair of furry handcuffs. The colonel isn’t happy when Rhonda brings a Cujo back to the base, and when it’s clear he’s planning to put Brad down, she flees with her undead fiance. With little knowledge of how the plague is affecting the rest of the world, she faces unknown dangers. Sure, there are other living humans out there, but they may not be preferable to rabid zombies. Wagner (The Armageddon Chord, 2011) merely hints at a global epidemic while ensuring the story is Rhonda-centric. This maintains a sharp, persistently moving narrative of the protagonist’s personal quandary and eventual flight. Rhonda’s questionable decisions (for example, leaving the base’s safety) are forgivable, as she’s protecting her soul mate, who, to be fair, is tamer than most Cujos. She’s moreover a laudable heroine, trained by the colonel. She uses her shooting skills to dispatch multiple zombies and cares for a couple of younger survivors. The narrative stays grounded in familiar zombie terrain, from an undead lover to humans proving worse than the flesh-eating Cujos. But it’s immensely fun, and Rhonda dishes out one-liners with panache, even if only in her head: “I ain’t got time to bleed.” 

An endlessly entertaining zombie tale that checks off genre conventions with style.

Pub Date: Oct. 4, 2018

ISBN: 978-1-62601-465-7

Page Count: 194

Publisher: Riverdale Avenue Books

Review Posted Online: Oct. 17, 2018

Kirkus Reviews Issue: Nov. 15, 2018

Did you like this book?

No Comments Yet

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller


Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?

More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

Did you like this book?

No Comments Yet