by Jeri Chase Ferris & illustrated by Vincent X. Kirsch ‧ RELEASE DATE: Oct. 23, 2012
Future wordsmiths may be IN-SPIRED [verb: stimulated] by Webster’s devotion to the English language.
A charming introduction to Noah Webster, creator of “the second most popular book ever printed in English, after the Bible.”
Noah Webster loved words and wanted to be a scholar, so at age 15 he entered Yale University and became a teacher. When the Revolutionary War was over, he wanted to write a “second Declaration of Independence,” an American spelling book that would systematize American spelling. At a time when Americans spelled words any which way—“mosquito, moskito, miscitoe, misqutor, muskeetor”—this was a way to further unite Americans. He followed his speller with a grammar text, and eventually, at age 70, published his American Dictionary of the English Language. What could have been as dry as a, well, dictionary is here made lively and enjoyable, with appealing cartoonish illustrations and a clear and lively text. Webster is drawn with a balloon-ish head since he “always knew he was right, and he never got tired of saying so.” Ferris defines big words in brackets, dictionary-style, throughout the story, a playful device that becomes distracting, since most words can be figured out by context, even by very young readers and listeners. Nevertheless, the volume is a wonderful success in introducing Webster in such a charming manner.
Future wordsmiths may be IN-SPIRED [verb: stimulated] by Webster’s devotion to the English language. (timeline, more about Noah Webster, bibliography, websites) (Picture book/biography. 5-9)Pub Date: Oct. 23, 2012
ISBN: 978-0-547-39055-0
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: July 24, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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More by Jeri Chase Ferris
BOOK REVIEW
by Jennifer Dussling ; illustrated by Chin Ko ‧ RELEASE DATE: June 20, 2017
A succinct, edifying read, but don’t buy it for the pictures.
Abraham Lincoln’s ascent to the presidency is recounted in a fluid, easy-to-read biography for early readers.
Simple, direct sentences stress Lincoln’s humble upbringing, his honesty, and his devotion to acting with moral conviction. “Lincoln didn’t seem like a man who would be president one day. But he studied hard and became a lawyer. He cared about people and about justice.” Slavery and Lincoln’s signature achievement of emancipation are explained in broad yet defined, understandable analogies. “At that time, in the South, the law let white people own black people, just as they owned a house or a horse.” Readers are clearly given the president’s perspective through some documented memorable quotes from his own letters. “Lincoln did not like slavery. ‘If slavery is not wrong,’ he wrote to a friend ‘nothing is wrong.’ ” (The text does not clarify that this letter was written in 1865 and not before he ascended to the presidency, as implied by the book.) As the war goes on and Lincoln makes his decision to free the slaves in the “Southern states”—“a bold move”—Lincoln’s own words describe his thinking: “ ‘If my name ever goes into history,’ Lincoln said, ‘it will be for this act.’ ” A very basic timeline, which mentions the assassination unaddressed in the text, is followed by backmatter providing photographs, slightly more detailed historical information, and legacy. It’s a pity that the text is accompanied by unremarkable, rudimentary opaque paintings.
A succinct, edifying read, but don’t buy it for the pictures. (Informational early reader. 6-8)Pub Date: June 20, 2017
ISBN: 978-0-06-243256-8
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
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by Lisbeth Kaiser ; illustrated by Leire Salaberria translated by Raquel Pitt ‧ RELEASE DATE: July 1, 2016
Stirring encouragement for all “little people” with “big dreams.” (Picture book/biography. 5-7)
“There’s nothing I can’t be,” young Maya thinks, and then shows, in this profile for newly independent readers, imported from Spain.
The inspirational message is conveyed through a fine skein of biographical details. It begins with her birth in St. Louis and the prejudice she experienced growing up in a small Arkansas town and closes with her reading of a poem “about her favorite thing: hope” at Bill Clinton’s presidential inauguration. In between, it mentions the (unspecified) “attack” by her mother’s boyfriend and subsequent elective muteness she experienced as a child, as well as some of the varied pursuits that preceded her eventual decision to become a writer. Kaiser goes on in a closing spread to recap Angelou’s life and career, with dates, beneath a quartet of portrait photos. Salaberria’s simple illustrations, filled with brown-skinned figures, are more idealized than photorealistic, but, though only in the cover image do they make direct contact with readers’, Angelou’s huge eyes are an effective focal point in each scene. The message is similar in the co-published Amelia Earhart, written by Ma Isabel Sánchez Vegara (and also translated by Pitt), but the pictures are more fanciful as illustrator Mariadiamantes endows the aviator with a mane of incandescent orange hair and sends her flying westward (in contradiction of the text and history) on her final around-the-world flight.
Stirring encouragement for all “little people” with “big dreams.” (Picture book/biography. 5-7)Pub Date: July 1, 2016
ISBN: 978-1-84780-889-9
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: May 13, 2016
Kirkus Reviews Issue: June 1, 2016
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More In The Series
by Maria Isabel Sánchez Vegara ; illustrated by Borghild Fallberg
by Maria Isabel Sánchez Vegara ; illustrated by Alona Millgram
by Maria Isabel Sánchez Vegara ; illustrated by Archita Khosla
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by Lisbeth Kaiser ; illustrated by Stanley Chow
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by Lisbeth Kaiser ; illustrated by Marta Antelo
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